JARMAN (all this maddening beauty) and Other Plays is a collection of three radically poetic works for live performance by OBIE award-winning playwright Caridad Svich.
The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation.
This book presents new archival sources, suggests new interpretations of the David, and connects the statue to contemporary historical events in Florence.
Extrait : Quand l'opinion publique a fait son siège à propos d'un point capital de l'histoire de l'art, c'est véritablement entreprendre une tâche ingrate que de vouloir lui apporter de nouveaux éléments d'information.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
More than 125 gorgeous photographs showcase the beauty of award-winning stonemason Lew French's work in eight different homes, illustrating how rounded fieldstone, gray slate, rough granite, and even curvy driftwood can be incorporated into stunning pieces of functional art.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Winner of the 2010 Donald Grant Creighton Award Artist Frances Gage, born in 1924 in Windsor, experienced both artistic recognition and acute despair in her life, yet she flourished in her work and as part of the contemporary Toronto art scene.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Lo que este texto y su autor Jaime Reyes nos presenta, es un fragmento del camino creativo de Jose Balcells en la escultura; donde el escultor concibe la obra en relacion a un nombre y los ejecutantes que la construyen estan en el ejercicio de la fidelidad a la obra en su forma.
Una severa estatua en una plaza, el piadoso vitral de una iglesia, la simpática efeméride en la portada de una revista infantil representan objetos portadores de significado social, diseñados para transmitir una determinada impronta donde el pasado se temporaliza en un presente épico, perpetuo e inamovible.