Taking up questions of artists' materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini.
Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini's work in sculpture, architecture, and paint.
Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini's work in sculpture, architecture, and paint.
This book presents new archival sources, suggests new interpretations of the David, and connects the statue to contemporary historical events in Florence.
This book presents new archival sources, suggests new interpretations of the David, and connects the statue to contemporary historical events in Florence.
First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements.
First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements.
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD.
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD.
Using the visual and tactile experience of small-scale figurines, Greeks and Babylonians negotiated a hybrid, cross-cultural society in Hellenistic Mesopotamia.
Using the visual and tactile experience of small-scale figurines, Greeks and Babylonians negotiated a hybrid, cross-cultural society in Hellenistic Mesopotamia.
This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted "e;gateways"e; of churches in the north Italian region of Lombardy.
This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted "e;gateways"e; of churches in the north Italian region of Lombardy.
Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings.
Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings.
This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself.
This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself.
Jan Svankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after repeated censorship by the communist governmnent of Czechoslovakia.
