Lisa Fedon is creating a series of books all under the title of Sculpture Speaks to share her insights in the hope of helping and inspiring others to follow their dreams.
The book "Dictionary of Islamic Philosophers and Their Philosophical History" is a historical philosophical dictionary in which the author establishes the history of Islamic philosophers through a comprehensive study.
This collection of essays seeks to present articles that examine the early ventures of the 1960s and 1970s in the progressive theatre of identity with a new contemporary view, considering the intersection of race, gender, ethnicity, economic class, and sexual orientation.
A Practical Guide to Costumed Interpretation is just that - a book that takes you through the various stages of becoming an historical costumed interpreter.
A Practical Guide to Costumed Interpretation is just that - a book that takes you through the various stages of becoming an historical costumed interpreter.
This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance.
La humanidad está cada vez más inmersa en un contexto donde la tecnología, sobre todo la digital, está más presente en el conjunto de nuestras actividades sociales, políticas, económicas y personales.
Con cada uno de sus libros, el filósofo e historiador del arte Georges Didi-Huberman profundiza la problemática de las imágenes en el mundo contemporáneo.
Una severa estatua en una plaza, el piadoso vitral de una iglesia, la simpática efeméride en la portada de una revista infantil representan objetos portadores de significado social, diseñados para transmitir una determinada impronta donde el pasado se temporaliza en un presente épico, perpetuo e inamovible.
El escenario en la Bauhaus recopila dos ensayos que, en conjunto, bosquejan la teoría del escenario total y el diseño escénico de la Bauhaus correspondiente al período de Weimar (1919-1925).
Enfrentados a la noción de progreso y al umbral evolutivo de la inteligencia artificial que alimentan los imaginarios sobre nuestro futuro, las reflexiones y los ensayos que reúne este libro buscan fundar un nuevo paisaje crítico, en la zona donde se encuentran el arte, la teoría crítica y la tecnología.
Punching Up in Stand-Up Comedy explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised.
Having initially been considered bourgeois, horror films emerged only under late socialism as the country underwent widespread social, cultural, and economic changes.
Con apenas un poco más de un siglo y cuarto de existencia, el cine no se inscribe cómodamente en el sistema de estilos y épocas que la historia del arte prescribe para disciplinas milenarias como la pintura, la música o la literatura.
This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pieta, by tracing the shifting meaning of the work of art over time.
Drawing from the work of Dewey, Wittgenstein and Heidegger, this book aims to relate a series of philosophic insights to the practice of engaging in design research for change.
Providing a solid media-philosophical groundwork, Beyond Mimesis contributes to the theory of mimesis and alterity in performance philosophy while serving to stimulate and inspire future inquiries where studies in media and art intersect with philosophy.
Establishing a 'missed link' between the work of Piero Manzoni and Helio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists' practices, particularly focusing on the shift from painting to performance in the long 1960s.
This book presents an original study of the work of Pritzker Prize-winning Portuguese architect Alvaro Siza from the perspective of architecture as an interpretation of human life.
Dramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making.
Drawing from the work of Dewey, Wittgenstein and Heidegger, this book aims to relate a series of philosophic insights to the practice of engaging in design research for change.
Dramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making.
This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pieta, by tracing the shifting meaning of the work of art over time.
This book presents a genetic-phenomenological approach of existential psychotherapy, articulating its theoretical underpinnings with principles supported by scientific evidence and concluding with clinical examples.
The Great Convergence explores the existential foundations of human consciousness and the deep existential dimensions of reality, as well as their connection to the concept of The Creator.
Soren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature.
No hablamos de arte aquí si no de un campo experimental donde nos construimos y deconstruimos, donde irrumpe lo que desde una mirada cisheteronormativa nunca fuimos: seres hechos de una vez para siempre, sino pura experiencia.
En este volumen se reúnen las obras dramáticas más destacadas del dramaturgo, director de escena e intérprete Pablo Messiez (Premio Max a la Mejor Dirección de Escena, 2016).
Partiendo de la novela de Mary Shelley, Franskentein, Antola reinstala a las personas no cis en el tren fantasmagórico del experimento y la fantasía, para desarmar las ficciones identitarias de quienes jamás debieron disputarle al Estado alguna verdad.
«El Mago Enmascarado», alias de Val Valentino, ha reventado audiencias «Rompiendo el código de los magos: los grandes secretos de la magia finalmente revelados».
Lo que este texto y su autor Jaime Reyes nos presenta, es un fragmento del camino creativo de José Balcells en la escultura; donde el escultor concibe la obra en relación a un nombre y los ejecutantes que la construyen están en el ejercicio de la fidelidad a la obra en su forma.