Non-graphic and electronic art forms

Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings.

This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages.

An updated edition of the best-selling handbook, this all-encompassing guide for jewellery entrepreneurs of all levels covers key lessons for setting up, running and growing a jewellery business.

Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage.

This book offers a comprehensive account of the audiovisual translation (AVT) of humour, bringing together insights from translation studies and humour studies to outline the key theories underpinning this growing area of study and their applications to case studies from television and film.

Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.

First Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod's take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences.

This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century.

Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art.

Winner of the Barbara Jelavich Book Prize 2023"e;I am Jugoslovenka"e; argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation.

Space is a formative factor in the production of sculpture.

Black and Asian Theatre in Britain is an unprecedented study tracing the history of 'the Other' through the ages in British theatre.

Using Open Scenes as a "e;way in"e; to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism.

Asian City Crossings is the first volume to examine the relationship between the city and performance from an Asian perspective.

In Eco-Performance, Art, and Spatial Justice in the US, Courtney B.

Rabindranath Tagore (1861-1941) was a prolific playwright with more than thirty plays to his credit.

This book contains classic material dating back to the 1900s and before.

How does theatre shape the body and perceptions of it?

This book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised.

This introduction to Asian American theatre charts ten of the most pivotal moments in the history of the Asian diaspora in the USA and how those moments have been reflected in theatre.

In this book, theatre historian Jason Price looks at the relationships and exchanges that took place between high and low cultural forms in Britain from 1880 to 1940, focusing on the ways in which figures from popular entertainments, such as music hall serio-comics, clowns, and circus acrobats, came to feature in modern works of art.

Feminist Theatre Practice: A Handbook is a helpful, practical guide to theatre-making which explores the different ways of representing gender.

Artistic, intellectual and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been perennially at the centre of international filmmaking.

Maggie Gale's West End Women uncovers groundbreaking material about women playwrights and the staging of their performances between the years 1918 and 1962.

Published in 1999, 'Theatre of Animation' is a valuable addition to the field of performance.

Tango and the Dancing Body in Istanbul explores the expansion of social Argentine tango dancing among Muslim actors in Turkey, pioneered in Istanbul despite the conservative rule of the Justice and Development Party (JDP) and Tayyip Erdogan.

Mit einem Vorwort von Neale Donald Walsch, einem Nachwort von Richard Matheson und einem Film- und Namensregister sowie umfangreichen Produktiondaten der über 70 besprochenen Filme.

The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre.

Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt.

This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange.

Despite the increasing popularity of academic filmmaking programs in the United States, some of contemporary America's most exciting film directors have emerged from the theater world.

Die Mega Square-Ausgabe Skulptur umschließt 23.

The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art.

Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades.

Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language.

This book provides a fascinating and concise history of devised theatre practice.

This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time.

Discusses new evidence of interactions between Scandinavia and Iberia during the Bronze Age and cross references warrior iconography in both societies.

Stanislavsky and Intimacy is the first academic edited book with a focus on how intimacy protocols, choreography, and theories intersect with the broad practices of Konstantin Stanislavsky's 'system'.

Widely considered one of the most innovative voices in Hungarian theatre, Andras Visky has enjoyed growing audiences and increased critical acclaim over the last fifteen years.

How do you choose a musical to direct that suits your amateur theatre group's needs?

Whether creating Broadway musicals, experimental dramas, or outrageous comedies, the performers, directors, playwrights, designers, and producers profiled in this collection have contributed to the representation of LGBTQ lives and culture in a variety of theatrical venues, both within the queer community and across the US theatrical landscape.

This book focuses on how in/security works in and through Jamaican dancehall, and on the insights that Jamaican dancehall offers for the global study of in/security.

Russian Theater (1963) is a comprehensive study of the main trends in Russian theatre in the nineteenth and twentieth centuries.

Esta obra es un compendio de las distintas formas básicas y novedosas de trabajar no sólo los metales nobles sino también cualquier otro material susceptible de ser manipulado en un taller de orfebrería.

This book examines do-it-yourself (DIY) approaches to the collection, preservation, and display of popular music heritage being undertaken by volunteers in community archives, museums and halls of fame globally.

Jasmin Vardimon's Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice.

This volume investigates performances as situated "e;machineries of knowing"e; (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.