This publication is the first comprehensive account in English of the history of the Freie Volksb^D"e;hne, founded in Berlin in 1890 through the interaction of Social Democracy and Theatrical Naturalism.
African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance.
African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance.
Off Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s.
Off Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s.
Choreomusicology: Dialogues in Music and Dance is a distinguished collection of chapters by leading scholars presenting research that redefines and rethinks the question of what dance and music are, together and apart, and which promotes new ideas and voices in the discipline.
This engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "e;control"e;, the reader.
This engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "e;control"e;, the reader.
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion.
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion.
In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions.
In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions.
This account, analysis and critical evaluation of the work of Appia demonstrates how his far-sighted imagination also embraced the fundamental reform of scenic design, the use of theatrical space, and a greatly expanded conception of the nature and possibilities of theatrical art.
This account, analysis and critical evaluation of the work of Appia demonstrates how his far-sighted imagination also embraced the fundamental reform of scenic design, the use of theatrical space, and a greatly expanded conception of the nature and possibilities of theatrical art.
This carefully constructed and thorough collection of theoretical engagements with Augusto Boal's work is the first to look 'beyond Boal' and critically assesses the Theatre of the Opressed (TO) movement in context.
This carefully constructed and thorough collection of theoretical engagements with Augusto Boal's work is the first to look 'beyond Boal' and critically assesses the Theatre of the Opressed (TO) movement in context.
Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science.
Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science.