This book explores the ways that pre-existing 'national' works or 'national theatre' sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture.
This book explores the ways that pre-existing 'national' works or 'national theatre' sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture.
This is a comprehensive investigation into the theme of time in the work of Jacques Derrida and shows how temporality is one of the hallmarks of his thought.
This is a comprehensive investigation into the theme of time in the work of Jacques Derrida and shows how temporality is one of the hallmarks of his thought.
Ernie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice.
Ernie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice.
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD.
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD.
The Phenomenology of Blood in Performance Art is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.
Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.
Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.
Using the visual and tactile experience of small-scale figurines, Greeks and Babylonians negotiated a hybrid, cross-cultural society in Hellenistic Mesopotamia.
Using the visual and tactile experience of small-scale figurines, Greeks and Babylonians negotiated a hybrid, cross-cultural society in Hellenistic Mesopotamia.
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship.
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship.
This edited collection of essays and artist reflections presents perspectives from arts and humanities researchers exploring how individuals and collectives engage with, relate to and experience environments.
Contemporary Cultural Tools for Identities in the Making asks how cultural and artistic practices constitute a central tool for the expression and recognition of individual and collective identities, and how shared creative efforts shape alternative lexical and symbolic languages.
