Non-graphic and electronic art forms

Floating Bones charts the author's journey into tensegrity, which begins in ballet and culminates in a model for addressing one's body as a teacher.

Floating Bones charts the author's journey into tensegrity, which begins in ballet and culminates in a model for addressing one's body as a teacher.

Gomez-Pena Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gomez-Pena, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

Gomez-Pena Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gomez-Pena, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

Affective Movements, Methods and Pedagogies invites readers to think with affect about performance, pedagogies and their inherent activist, embodied and collective natures.

Affective Movements, Methods and Pedagogies invites readers to think with affect about performance, pedagogies and their inherent activist, embodied and collective natures.

This book presents a ground-breaking, comprehensive study of the modern performance history of plays in the John Fletcher canon, excluding his collaborations with Shakespeare.

This book presents a ground-breaking, comprehensive study of the modern performance history of plays in the John Fletcher canon, excluding his collaborations with Shakespeare.

Boxing and Performance is the first substantial piece of work to place the lived experience of female and male boxers in dialogue with one another.

Boxing and Performance is the first substantial piece of work to place the lived experience of female and male boxers in dialogue with one another.

This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa.

Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India.

Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India.

This book provides the first comprehensive study of Anthony Neilson's unconventional rehearsal methodology.

This book provides the first comprehensive study of Anthony Neilson's unconventional rehearsal methodology.

In this study, Josefine Wikstrom challenges a concept of performance that makes no difference between art and non-art and argues for a new concept.

In this study, Josefine Wikstrom challenges a concept of performance that makes no difference between art and non-art and argues for a new concept.

Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of nature, culture and society among the indigenous.

Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of nature, culture and society among the indigenous.

This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia.

This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia.

La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.

Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage.

Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage.

This volume is a study of the connected ideas of "e;queer"e; and "e;gender performance"e; or "e;performativity"e; over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases.

La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.

This volume is a study of the connected ideas of "e;queer"e; and "e;gender performance"e; or "e;performativity"e; over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases.

Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion.

Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion.

This book investigates Jimmie Durham's community-building process of making and display in four of his projects in Europe: Something .

This book investigates Jimmie Durham's community-building process of making and display in four of his projects in Europe: Something .

This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa.

Amanda Glauert revisits Beethoven's songs and studies his profound engagement with the aesthetics of the poets he was setting, particularly those of Herder and Goethe.

Amanda Glauert revisits Beethoven's songs and studies his profound engagement with the aesthetics of the poets he was setting, particularly those of Herder and Goethe.

Callan Davies presents "e;strangeness"e; as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one that would have been deeply familiar to its playwrights and early audiences.

Callan Davies presents "e;strangeness"e; as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one that would have been deeply familiar to its playwrights and early audiences.

Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period.

Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period.

This volume explores connections between architecture and theatre, and encourages imagination in the design of buildings and social spaces.

The mention of the term "e;melodrama"e; is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous.

The mention of the term "e;melodrama"e; is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous.

The work aims at bringing the Persian texts into the study of the arts and technology of the Indo-lranian world - an approach much neglected so far.

The work aims at bringing the Persian texts into the study of the arts and technology of the Indo-lranian world - an approach much neglected so far.

The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field.

This book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.

The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field.

This book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.

This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium.

This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium.

Situated Knowing aims to critically examine performance studies' ideological and socio-political underpinnings while also challenging the Anglo-centrism of the discipline.