Non-graphic and electronic art forms

Performer Training is an examination of how actors are trained in different cultures.

Performer Training is an examination of how actors are trained in different cultures.

Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area.

Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area.

In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary.

In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary.

This is volume 1, part 4 of the Performing Arts International forum.

This publication is the first comprehensive account in English of the history of the Freie Volksb^D"e;hne, founded in Berlin in 1890 through the interaction of Social Democracy and Theatrical Naturalism.

This publication is the first comprehensive account in English of the history of the Freie Volksb^D"e;hne, founded in Berlin in 1890 through the interaction of Social Democracy and Theatrical Naturalism.

This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline.

This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline.

This is volume 1, part 4 of the Performing Arts International forum.

African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance.

African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance.

This is Volume 7, Part I of the Contemporary Theatre Review, an International Journal, with this edition focusing on Prescence and pre-expressivity.

This is Volume 7, Part I of the Contemporary Theatre Review, an International Journal, with this edition focusing on Prescence and pre-expressivity.

Off Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s.

Off Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s.

Choreomusicology: Dialogues in Music and Dance is a distinguished collection of chapters by leading scholars presenting research that redefines and rethinks the question of what dance and music are, together and apart, and which promotes new ideas and voices in the discipline.

Dr.

Dr.

First Published in 1998.

First Published in 1998.

This is the first volume in English to be devoted entirely to Polish Romantic drama.

This is the first volume in English to be devoted entirely to Polish Romantic drama.

This engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "e;control"e;, the reader.

This engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "e;control"e;, the reader.

First Published in 1998.

First Published in 1998.

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre.

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre.

Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner.

Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner.

Merleau-Ponty was a pivotal figure in twentieth century French philosophy.

Merleau-Ponty was a pivotal figure in twentieth century French philosophy.

The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene.

The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene.

Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion.

Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion.

In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions.

In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions.

'Painting does not imitate the world, but is a world of its own.

'Painting does not imitate the world, but is a world of its own.

First Published in 1997.

First Published in 1997.

First Published in 1996.

First Published in 1996.

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications.

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications.

This account, analysis and critical evaluation of the work of Appia demonstrates how his far-sighted imagination also embraced the fundamental reform of scenic design, the use of theatrical space, and a greatly expanded conception of the nature and possibilities of theatrical art.