Performing Climates features 13 interconnected essays exploring theatre and performance's relationship with more-than-human elements at a time of climate emergency.
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre.
This book presents an original study of the work of Pritzker Prize-winning Portuguese architect Alvaro Siza from the perspective of architecture as an interpretation of human life.
The Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other.
Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games.
Estética y neuroestética intermedial: semióticas interartísticas muestra que la intermedialidad no se limita a la interacción entre medios y la variabilidad de soportes, ya sean biológicos (como los mecanismos físicos para emitir sonidos y lenguaje) o tecnológicos.
This book offers an existential understanding of the process of stuckness, exploring how we can soften stuckness and become more fluid in our work and world.
Showcasing the Optimal, Maximal, Incremental, and Threshold (OMIT) and Accelerate The Curve (ATC) models, this book offers a solid understanding of high performance and how to improve it.
This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage.
Des manières rustres d’Audrey Hepburn dans la haute aristocratie londonienne chez Billy Wilder, à un délire sous drogues en plein enterrement dans Joyeuses Funérailles, en passant évidemment par des figures burlesques comme Chaplin, Keaton ou Mr.
Ein informatives und inspirierendes, reich illustriertes Buch über die zeitgenössische Kunst des Bewegtbilds: Sie tritt an, mit neuesten Technologien die universell verständliche Sprache der Massenmedien kurzzuschließen und Kunst wieder zu einem kritischen Spiegel ihrer Epoche zu machen.
Lee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century.
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre.
This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage.
Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century.
First Published in 2000, Recording Women documents the work of three leading feminist theatre companies, Sphinx Theatre Company, Scarlett Theatre and Foresight Theatre, through a combination of interviews with theatre practitioners and detailed descriptions of productions in performance.
