Non-graphic and electronic art forms

Surveying how Performance as a form has evolved as a distinct artistic sector to where it is today, Performance Making: a pedagogy for precarious times provides insight into the impact the artform has had across the creative sector and argues for its defence in higher education today.

The Dancer's Handbook offers a holistic exploration of the dance industry's challenges, authored by dancers intimately familiar with its complexities.

Die erste umfassende Untersuchung barocker Perlfiguren – außergewöhnliche, fantasievolle Werke der Goldschmiedekunst, in die große, unregelmäßig verwachsene Perlen eingearbeitet wurden.

The first in a two-part set, this book takes a deep dive into the history and theory of existential psychology.

Originally published in 1984, this book recreates the unique atmosphere of the Restoration playhouses in order to demonstrate how theatrical conditions spurred authors into creating new forms of tragedy, comedy and opera, the techniques of which anticipated the ideas of 'gestus' and 'alienation' first articulated by Bertold Brecht in the 20th century.

This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s.

Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media - theatre, film and television - and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties.

KI-Dilemma Ist die Kunst noch echt?

L’univers disperse dans des leurres optiques les regards de ceux qui cherchent à l’explorer.

This is a concise survey of new play projects that bring together the worlds of science and performance, and the benefits that dramaturgical praxis can bring to both disciplines.

The need for a research volume on European theatre music and sound is almost self-evident.

Children's picture books from the Romantic period.

This book is the first comprehensive intellectual biography of Johannes Linschoten, whose work has been credited with helping to bring down the Utrecht School of phenomenological psychology.

This study considers the performativity of sound-producing sculptures made in the twenty-first century through a cultural history of certain works.

The next century will be the Twenty Second Century.

Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby.

This accessible introduction challenges fixed understandings of the geographical or conceptual "e;origins"e; of feminist performance, offering a fresh and open-ended guide to the moments and movements that have come to define this vital field.

This first volume of Husserlian Legacies: Themes for the 21st Century  focuses on hitherto underexamined dimensions of Husserl's philosophical thinking and in particular, values and love.

This first volume of Husserlian Legacies: Themes for the 21st Century  focuses on hitherto underexamined dimensions of Husserl's philosophical thinking and in particular, values and love.

Il y a des créateurs qui n’hésitent pas, obéissant massivement à une idée ou un projet, à une volonté ou un désir, à un rêve ou une pulsion, à une muse ou un inconscient.

Performing Climates features 13 interconnected essays exploring theatre and performance's relationship with more-than-human elements at a time of climate emergency.

Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media - theatre, film and television - and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties.

Popkultur ist allgegenwärtig – sie prägt unser Denken, Fühlen und Handeln, beeinflusst Mode, Musik, Kunst und selbst unsere Sprache.

What is dramaturgy?

Contemporary Performance and Political Economy examines haunting concepts, relations, and artworks that demand our attention.

This book provides an account, both theoretical and phenomenological, of the education offered by philosophy.

Performing Climates features 13 interconnected essays exploring theatre and performance's relationship with more-than-human elements at a time of climate emergency.

Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre.

This book presents an original study of the work of Pritzker Prize-winning Portuguese architect Alvaro Siza from the perspective of architecture as an interpretation of human life.

D’une audace visuelle et technique inouïe, le Napoléon d’Abel Gance est un chef-d’œuvre du cinéma muet.

Heidegger trató de permanecer fiel al espíritu originario de la fenomenología, aun alejándose de las intenciones que guiaron a su maestro Husserl.

The Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other.

Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games.

What sort of relationship do artists want with their audience?