"Handbook and guide" …for Cellists and all other String PlayersBrilliant technical and musical concepts and methods by Janos Starker, the world-famous cellist and teacherSuitable for all levels: Students, Chamber Musicians, Orchestral Musicians as well as SoloistsA true inspiration!
Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen.
This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.
Discover Michel Eugene Chevreul's groundbreaking theories on colour as he explores the principles of contrasting and harmonising colours in this classic text on colour theory.
Plongez-vous dans l'histoire riche et mystérieuse des geishas avec notre dernier livre : "L'histoire des geishas au Japon - Une excursion à travers l'histoire culturelle du Japon".
Wenn Menschen in einen Flow geraten, befinden sie sich in einem Zustand höchster Konzentration, wodurch ein regelrechter Schaffensrausch ausgelöst werden kann.
This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.
A thoughtful, engaging, and intimate history of art that offers a critical analysis of the assumptions on which the entire discipline of art history depends.
From a celebrated critic, a heartfelt and adventurous reflection on the art of writing about art "e;Essential for fans of Marcus and fruitful reading for anyone reflecting on the mysteries of art.
A thoughtful, engaging, and intimate history of art that offers a critical analysis of the assumptions on which the entire discipline of art history depends.
El proyecto más ambicioso de Max Raphael consistió en refundar la historia del arte como "ciencia empírica", una fórmula con la que se refería a un acceso al arte basado en una concepción experiencial de la visión como acto productivo, que convierte al espectador en émulo del pintor y reconstructor del cuadro.
Die deutschsprachige Bildwissenschaft hat in Japan große Resonanz gefunden, die allerdings weitestgehend auf das heimische Publikum beschränkt geblieben ist.
