Werkverzeichnis, auch Œuvrekatalog oder Catalogue raisonné genannt, gilt als grundlegendes Nachschlagewerk für Museen, Sammlerinnen und Sammler und die kunsthistorische Forschung.
Regionale Kulturerbestätten bedürfen einer Vermittlung, welche die Identifikation der Menschen, die Wahrnehmung und kulturelle Teilhabe sowie das gesellschaftliche Verantwortungsbewusstsein stärkt und fördert.
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art.
This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban, and societal relationships of Manifesta European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era.
This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology.
Contemporary Art Therapy with Adolescents offers practical and imaginative solutions to the multifaceted challenges that clinicians face when treating young people.
Die Riesenschreibmaschine – und das zugehörige Manifest von Lisa Kränzler und Tomaso Carnetto – ist ein Projekt, das Körper und Schreiben thematisiert.
This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world.
Sjoerd van Tuinen argues for the inseparability of matter and manner in the form of a group portrait of Leibniz, Bergson, Whitehead, Souriau, Simondon, Deleuze, Stengers, and Agamben.
This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement.
Die Münchner Akademierede von 1807, stilistisch "das Vollendetste aus Schellings Feder" (Karl Rosenkranz), ist eine besonders geeignete Einführung in die Grundgedanken seiner Kunstphilosophie.
In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production.
This book is an exploration of the concept of in-betweenness, as it occurs within the process of moving between the author's root culture and adopted culture, from her perspective as an immigrant creative arts therapist.
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship.
"e;Fourteen writers take on perhaps the most important cultural issue of our time: figure out what we're talking about when we're talking about cat videos.
The aim of this book is to expose readers to architecture's pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture.
Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings.
During the last 30 years, technological, social, economic and environmental changes have brought about the most dramatic evolution to architectural practice that has taken place since the profession emerged during the Italian Renaissance.
This transnational volume examines innovative women artists who were from, or worked in, Denmark, Finland, Greenland, Iceland, Norway, Sapmi, and Sweden from the emergence of modernism until the feminist movement took shape in the 1960s.
On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio.
A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world.
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance.
An increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right.
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term.
This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and Netherlands.
The notion of spectatorship has become of increasing interest as artists develop experimental works and manufacturers seek to produce the means for viewing such works.
This innovative book takes the concept of translation beyond its traditional boundaries, adding to the growing body of literature which challenges the idea of translation as a primarily linguistic transfer.
Activists working in post-traumatic societies have tended to resist psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence.
