This book explores the intersection of art, design, and technology, revealing how new technological innovations are transforming creative practices and opening up new artistic expressions.
Negative Empathy in Literature and the Arts explores how readers and viewers engage cognitively and affectively with ethically troubling artworks across literature, the visual and performing arts, and screen media.
Written by artists, curators, historians, and cultural workers, Art Encounters in the Nuclear Age: Radiant Objects is a collection of essays that offers an idiosyncratic cross-section of nuclear history, foregrounding stories of objects and artworks.
Written by artists, curators, historians, and cultural workers, Art Encounters in the Nuclear Age: Radiant Objects is a collection of essays that offers an idiosyncratic cross-section of nuclear history, foregrounding stories of objects and artworks.
Negative Empathy in Literature and the Arts explores how readers and viewers engage cognitively and affectively with ethically troubling artworks across literature, the visual and performing arts, and screen media.
This study focuses on the moment in the history of modern art, during the 1950s, when sculptors and architects began to use concrete to create a previously impossible fusion of their respective art forms and the mutual influences between sculpture and architecture.
In their previous book, Economies of Collaboration in Performance, Savage and Symonds explored the economy as a metaphor for understanding collaborative practices in the arts.
In their previous book, Economies of Collaboration in Performance, Savage and Symonds explored the economy as a metaphor for understanding collaborative practices in the arts.
