The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art.
The introduction of the moving sphere as a model for understanding the celestial phenomena caused a great breakthrough in scientific thinking about the structure of the world.
This book explores the diachronic development of the ideological content of Pompey and Caesar's monuments in Rome, emphasising the importance of the late Republican period as a precursor to imperial propaganda through architecture.
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book.
Although previous scholarship has acknowledged the importance of the visual arts to the Brontes, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature.
This book provides an intellectual history of the modernist "e;minimum dwelling"e;, exploring how early modernism saw mass housing as a primary vehicle for achieving the utopian transformation of society.
Gerade anhand der Landschaftsmalerei entwickelte der böhmische Künstler Adolf Hölzel (1853-1934) in den Umbruchsjahrzehnten um 1900 seine moderne Kunstanschauung in Praxis und Theorie und fand zu einer Metamorphose des Gegenständlichen in die Abstraktion.
In History and Modern Media, John Mraz largely focuses on Mexican photography and his innovative methodology that examines historical photographs by employing the concepts of genre and function.
Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present.
Progressive Perspective Drawing for Theatrical Scene Design provides theatrical scenic designers with the tools to create quick and precise perspective drawings.
A desire for intimacy in domestic spaces motivated by a growing sense of individualistic expression, an incentive to conceal the labor or enslavement taking place, and an appetite for solace and comfort led to interiors taking on more specific roles in the eighteenth century.
This book addresses the critical terminologies of place and space (and their role within medieval studies) in a considered and critical manner, presenting a scholarly introduction written by the editors alongside thematic case studies that address a wide range of visual and textual material.
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern designAlloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa.
This book presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the past fifty years.
The remarkable popularity of political likenesses in the Victorian period is the central theme of this book, which explores how politicians and publishers exploited new visual technology to appeal to a broad public.
In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.
In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture.
This book explores the history and continuing relevance of melancholia as an amorphous but richly suggestive theme in literature, music, and visual culture, as well as philosophy and the history of ideas.
The first study of the translations of Andy Warhol's writing and ideas, Translating Warhol reveals how translation has alternately censored, exposed, or otherwise affected the presentation of his political and social positions and attitudes and, in turn, the value we place on his art and person.
Die deutschsprachige Bildwissenschaft hat in Japan große Resonanz gefunden, die allerdings weitestgehend auf das heimische Publikum beschränkt geblieben ist.
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth.
The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking.
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.
The historic encounter around 1911 between the composer Arnold Schonberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art, Dada and Futurism, had just manifested themselves.
In late nineteenth-century France, when Charles Darwin's theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject.
First published in 1979, Inner Visions discussion the nature of contemporary magical thought - encompassing the Tarot and the Qabalah - and considers its impact on the creative imagination.
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement.
Swedish Design: A History provides a fascinating and comprehensive introduction to the development of design in Sweden from the mid-nineteenth century to the early twenty-first.
Published to accompany the John Piper exhibition at the Tate Liverpool and written by its curator, this book presents a comprehensive examination of the English artist's role as champion of modernism in Britain.
This volume reframes the development of US-American avant-garde art of the long 1960s-from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art-in the context of contemporary architectural discourses.
When she died in 2016, Dr Jennifer O'Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnan of Iona; and the early lives of Thomas Becket.