Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of Cold War cosmopolitanism.
Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings.
With a novelist's skill and the insight of an historian, bestselling author Ross King recalls a seminal period when Paris was the artistic center of the world, and the rivalry between Meissonier and Manet.
There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual.
Der Psychiater Leo Navratil untersucht die Zusammenhänge zwischen Schizophrenie und Kunst und greift dabei auf seine langjährigen Erfahrungen mit schizophrenen Patienten zurück.
Foregrounding street art in the capital cities of Cuba, Haiti, and Puerto Rico, this book argues that Antillean street artists diagnose the "e;impossible state"e; of the arrested present (colonized, occupied, or under dictatorship) while simultaneously imagining liberated futures and fully sovereign states.
Professor Rodrigo de Balbin has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this imagery.
The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town.
Lillian Daniel shares how her congregation re-appropriated the practice of testimony one Lenten season, a practice that would eventually revitalize their worship and transform their congregational culture.
This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right.
The definitive English-language account of a singular Nordic artistThe Norwegian painter, novelist, and social critic Christian Krohg (18521925) is best known for creating highly political paintings of workers, prostitutes, and Skagen fishermen of the 1880s and for serving as a mentor to Edvard Munch.
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities-Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami-from 1865 to 1950.
In the late 1790s, British Prime Minister William Pitt created a crisis of representation when he pressured the British Parliament to relieve the Bank of England from its obligations to convert paper notes into coin.
Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan.
This book proposes that computer games are the paradigmatic form of contemporary landscape and offers a synthesis of art history, geography, game studies and play.
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting.
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame-or second life-from their own times through the nineteenth century.
A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them.
The Holocaust/Genocide Template in Eastern Europe discusses the "e;memory wars"e; in the course of the post-Communist re-narration of history since 1989 and the current authoritarian backlash.
Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership.
Wie in anderen Forschungsfeldern gibt es auch in der Journalismusforschung Schlüsseltexte, die ein Forschungsgebiet erschlossen haben, auf dem weitere Forschung aufbaut.
Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion.
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art.
As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium.
This substantial collection of newly commissioned essays presents an ambitious, entertaining, and accessible guide to developments in Asian art over the past 20 years of the epoch of globalization.
Orientalist Poetics is the only book on literary orientalism that spans the nineteenth century in both England and France with particular attention to poetry and poetics.
This volume features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.