In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei's Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists.
Readers who appear to be lost in a storyworld, members of theatre or cinema audiences who are moved to tears while watching a performance, beholders of paintings who are absorbed by the representations in front of them, players of computer games entranced by the fictional worlds in which they interactively participate - all of these mental states of imaginative immersion are variants of 'aesthetic illusion', as long as the recipients, although thus immersed, are still residually aware that they are experiencing not real life but life-like representations created by artefacts.
The question "e;how has ancient India's incredibly rich literary heritage been visually represented"e; forms the centerpiece of this latest volume in Brill's series Studies in Asian Art and Archaeology.
Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting.
In five chapters this volume 1) offers new evidence for the form, date, and meaning of an Archaic rupestral horos of Zeus on the Hill of the Nymphs in Athens, 2) reports and interprets for the first time many rock cuttings as remnants of the shrine of Zeus implied by the horos inscription, 3) argues from scattered artifacts of Zeus found in central and western Athens and from comparative archaeological evidence that this shrine was devoted primarily to the popular cult of Zeus Meilichios, 4) presents evidence and arguments that other deities, including Herakles Alexikakos, were worshipped at this shrine, and 5) summarizes the chronology of this cult and shrine in their historical and topographical contexts.
This book is the result of a conference held at the University of California, Irvine, covering the contacts between Iran and India from antiquity to the modern period.
