This book presents a new reading of the history of French social science and religion through an investigation of early sociology's techniques for narrating the category of belief.
This book presents a new reading of the history of French social science and religion through an investigation of early sociology's techniques for narrating the category of belief.
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field.
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field.
This book provides a Renaissance art historian's view of how the picturesque aesthetic developed from roots in the sixteenth century (mostly in painting, but with ramifications for printmaking, landscape design, and architecture), and further, how the picturesque aesthetic fundamentally changed the relationship between art and nature, between viewer and image.
This book provides a Renaissance art historian's view of how the picturesque aesthetic developed from roots in the sixteenth century (mostly in painting, but with ramifications for printmaking, landscape design, and architecture), and further, how the picturesque aesthetic fundamentally changed the relationship between art and nature, between viewer and image.
In Transatlantic Disbelonging, Bimbola Akinbola redirects the focus in diaspora studies from questions of loss and longing to acts of unapologetic self-definition through the study of Nigerian diasporic women artists navigating disparate geographies, allegiances, and identities.
Be More Creative and Discover the Art of Urban Sketchingfeatures an introductory section to show the basic techniques and guide to finding inspiration for your work.
Performative Representation of Working-Class Laborers: They Work Hard for the Money is a transdisciplinary anthology intersecting art theory praxis, comparative literature, film & media studies, performance art, ethnic studies, gender studies, age & aging, geography, and labor studies.
Performative Representation of Working-Class Laborers: They Work Hard for the Money is a transdisciplinary anthology intersecting art theory praxis, comparative literature, film & media studies, performance art, ethnic studies, gender studies, age & aging, geography, and labor studies.
This book is centred on the practitioner-led Computer Arts Society founded in 1969 and formed to address creative computation in all the arts - performance, poetry, text, sound, sculpture and graphics.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This book contends that the development of modern Chinese international thought has been profoundly shaped by the distinctive nature of the Chinese state as a contender state and its global positioning since 1912.
This volume examines the ways in which Scottish identity was expressed through visual and material culture in the early to mid-nineteenth centuries, culminating in Victoria's romanticisation of Scotland, or 'Balmorality'.
This volume reframes French Impressionist painter Berthe Morisot (1841-1895) in the history of art via a focus on the spaces and people that informed her work and thereby offers a new interpretation of Impressionism and of modernist aesthetics.
This volume examines the emergence of a market for Scottish art among Scotland's wealthy industrialists in the mid-nineteenth century and in the period leading up to the First World War.
This book examines how the Embassy members approached, selected, and represented information, and how, in doing so, they helped to shape European perceptions of China.
