Die Perfektion digitaler Technologien hat uns eine makellose Welt versprochen – doch gerade im Fehlerhaften finden wir eine überraschende Quelle für Kreativität und Inspiration.
In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice.
Navigating the Unexpected Far from HomeLifes constant changes and relocations can be exciting and fun, but they can also be overwhelming, leaving one grappling with fear, regret, and moments of despair.
Landschaftsmalerei in Aquarell leichtgemacht: die reichweitenstarke YouTuberin zeigt in ihrem zweiten Buch mit viel Liebe zum Detail, wie magisch träumerische Landschaften im Handumdrehen auf Papier gebracht werden können!
On to the Sanumas is a firsthand account of Don and Barb Borgman's forty-year effort and achievement to place the word of God into the hands of the Sanumas, a tribe of the Yanomami people of Brazil.
The traumatic surreal is the first major study to examine the ground-breaking role played by Germanophone women artists working in surrealist traditions in responding to the traumatic events and legacies of the Second World War.
In Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement's ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work.
In the book "Art", Clive Bell presents a revolutionary theory in the history of aesthetics, as he seeks to understand what a work of art is and what distinguishes it.
This study provides a new interpretation of art after modernism by foregrounding the importance of conceptual thinking as a pervasive force for change in art and art history since 1950.
This volume features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.
