This book presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the past fifty years.
The remarkable popularity of political likenesses in the Victorian period is the central theme of this book, which explores how politicians and publishers exploited new visual technology to appeal to a broad public.
In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.
In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture.
This book explores the history and continuing relevance of melancholia as an amorphous but richly suggestive theme in literature, music, and visual culture, as well as philosophy and the history of ideas.
The first study of the translations of Andy Warhol's writing and ideas, Translating Warhol reveals how translation has alternately censored, exposed, or otherwise affected the presentation of his political and social positions and attitudes and, in turn, the value we place on his art and person.
Die deutschsprachige Bildwissenschaft hat in Japan große Resonanz gefunden, die allerdings weitestgehend auf das heimische Publikum beschränkt geblieben ist.
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth.
Lesslie Newbigin's concept of the congregation as hermeneutic of the gospel has been used for over thirty years to discuss the overlap of mission and ecclesiology.
The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking.
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.
The historic encounter around 1911 between the composer Arnold Schonberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art, Dada and Futurism, had just manifested themselves.
In late nineteenth-century France, when Charles Darwin's theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject.
First published in 1979, Inner Visions discussion the nature of contemporary magical thought - encompassing the Tarot and the Qabalah - and considers its impact on the creative imagination.
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement.
Swedish Design: A History provides a fascinating and comprehensive introduction to the development of design in Sweden from the mid-nineteenth century to the early twenty-first.
Published to accompany the John Piper exhibition at the Tate Liverpool and written by its curator, this book presents a comprehensive examination of the English artist's role as champion of modernism in Britain.
Discover Your Place in the Movement of God An incredible breakthrough in missions history is taking place as disciples of Jesus make more disciples of Jesus around the globe, particularly among the least-reached.
Facsimile edition of the 1974 reissue of Flinders Petrie’s 1917 pioneering typological catalog of Egyptian metal, wooden and composite tools and weapons, one of a number of such catalogs to be reissued in this new series.
This volume reframes the development of US-American avant-garde art of the long 1960s-from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art-in the context of contemporary architectural discourses.
When she died in 2016, Dr Jennifer O'Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnan of Iona; and the early lives of Thomas Becket.
An exquisitely illustrated, one-of-a-kind celebration of the hidden beauty of nature and the ingenuity of birdsSusan Ogilvy started painting bird nests almost by accident.
Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of Cold War cosmopolitanism.
Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art.
Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings.
With a novelist's skill and the insight of an historian, bestselling author Ross King recalls a seminal period when Paris was the artistic center of the world, and the rivalry between Meissonier and Manet.