The Arts

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Copyright and the Value of Performance, 1770-1911
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Requiem of Tomas Luis de Victoria (1603)
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Discoveries on the Early Modern Stage
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Prosecuting Sexual and Gender-Based Crimes at the International Criminal Court
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Sight, Touch, and Imagination in Byzantium
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Altars of Republican Rome and Latium
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Compositional Artifice in the Music of Henry Purcell
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Shakespeare on Screen: King Lear
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Women and Music in Sixteenth-Century Ferrara
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St. Paul's Outside the Walls
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Reuse and Renovation in Roman Material Culture
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Miniature and the English Imagination
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Female Singers on the French Stage, 1830-1848
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Cross, the Gospels, and the Work of Art in the Carolingian Age
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'Hamlet' and World Cinema
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Christopher Marlowe, Theatrical Commerce, and the Book Trade
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Performing Endurance
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Samuel Beckett and the Language of Subjectivity
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Saint-Saens and the Stage
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Art and Immortality in the Ancient Near East
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Discovering Medieval Song
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Romanticism and Illustration
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Digital SLR Astrophotography
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Collecting Art in the Italian Renaissance Court
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Venetian Discovery of America
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Shakespeare's Accents
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Ulysses, Film and Visual Culture
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Church Building and Society in the Later Middle Ages
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Putting Faith in Hate
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Romantic Art in Practice
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Author and Audience in Vitruvius' De architectura
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Olivier Messiaen's Catalogue d'oiseaux
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Early Roman Expansion into Italy
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Poetics of Power in Augustan Rome
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Writing and Power in the Roman World
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Colonization and Subalternity in Classical Greece
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Peter Maxwell Davies, Selected Writings
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Arvo Part's Resonant Texts
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Writing Sounds in Carolingian Europe
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Creativity in the Bronze Age
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Musical Authorship from Schutz to Bach
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Middle Ages in 50 Objects
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Painting, Ethics, and Aesthetics in Rome
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Guitar in Stuart England
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Schoenberg's Atonal Music
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Ancient China and its Eurasian Neighbors
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Polyphony in Medieval Paris
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Women and Microfinance in the Global South
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Iranian Cosmopolitanism
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Donor Portraits in Byzantine Art
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