This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions.
Dieser Band in der Reihe »Welt | Gestalten« richtet einen aktualisierten Blick auf das heterogene Feld der Kriegs- und Konfliktdarstellungen und untersucht mit modernen Ansätzen – anlässlich des russischen Krieges in der Ukraine – das mediale Spannungsfeld unterschiedlicher Medientypen, Inszenierungen und rezeptiven Dynamiken.
Against a backdrop of increased online distribution of media, this book provides an in-depth analysis of how the platformisation of television is both shaping and being shaped by the changing sports media market.
If the mere mention of Shakespeare fills you with dread, evoking memories of arduous afternoons spent in stuffy classrooms with eccentric English teachers, it is time to reconsider that far from being three-hour marathons of unintelligible boring rubbish, Shakespeare's plays are in fact exciting, tragic, funny and often downright rude - full of memorable plots, great insults, filthy jokes and eccentric characters.
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present.
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present.
In fantastic worlds like Gondor, Westeros, Ankh-Morpork, Waterdeep, and Hogsmeade, the societies that inhabit them play important roles in capturing the feel of their settings.
In fantastic worlds like Gondor, Westeros, Ankh-Morpork, Waterdeep, and Hogsmeade, the societies that inhabit them play important roles in capturing the feel of their settings.
A 2023 Foreword INDIES Book of the Year Finalist in the Anthologies CategoryThis anthology, the first of this kind in twenty-five years, collects eighteen astounding works of Jewish fiction.
This book challenges the predominant framing of US television as a writer's or producer's medium by suggesting that television directors are a vital component of TV artistry.
This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions.
Global Television (1993) looks at how satellites, fibre optics, compressed digital transmission, and interactive and high-definition television have converged with computer technology to revolutionise TV and film production, TV sets and even the smart home in which TV is viewed.
Audio Control Handbook (1989) employs a step-by-step approach to prepare students for audio work in the broadcast industry, covering real-life principles, tools and procedures.
Western Broadcasting Over the Iron Curtain (1986) examines the development of broadcasting policy by Western democracies, levels of government control of policy, efforts by communist regimes to minimize the effects of western broadcasting, and Soviet and Eastern European audience opinions on such diverse subjects as the success or failure of socialism and the Korean airline disaster.
This book analyses the impact of economic informality on the novel form across the modern world-system, looking specifically at works by Antonio de Almeida, Machado de Assis, Dany Laferriere, Ngugi wa Thiong'o, Nadine Gordimer, and Masande Ntshanga.
'Estereotipos hispano-alemanes en la literatura de viajes del siglo XIX', de María José Gómez Perales, examina cómo los relatos de viaje de autores españoles y alemanes de esa época reflejan y configuran las imágenes mutuas entre ambas culturas.
'Estereotipos hispano-alemanes en la literatura de viajes del siglo XIX', de María José Gómez Perales, examina cómo los relatos de viaje de autores españoles y alemanes de esa época reflejan y configuran las imágenes mutuas entre ambas culturas.
This text takes a wholly new look at a major early twentieth-century Dutch poet and novelist from the perspective of world literature, situating his work in both a national and a world literary context as measured against contemporaries and near-contemporaries such as Conrad, Pound, Brecht, Segalen, and Malraux.
A 2023 Foreword INDIES Book of the Year Finalist in the Anthologies CategoryThis anthology, the first of this kind in twenty-five years, collects eighteen astounding works of Jewish fiction.
This text takes a wholly new look at a major early twentieth-century Dutch poet and novelist from the perspective of world literature, situating his work in both a national and a world literary context as measured against contemporaries and near-contemporaries such as Conrad, Pound, Brecht, Segalen, and Malraux.
This volume addresses contemporary debates and trends regarding the production and distribution, content, and audience engagement with the television streaming industry.
This book is an in-depth analysis of participatory worlds, practices beyond the mainstream models of content production and IP management that allow audience members to contribute canonically to the expansion of storyworlds, blurring the line between the traditional roles of consumers and producers.
This volume addresses contemporary debates and trends regarding the production and distribution, content, and audience engagement with the television streaming industry.
This book is an in-depth analysis of participatory worlds, practices beyond the mainstream models of content production and IP management that allow audience members to contribute canonically to the expansion of storyworlds, blurring the line between the traditional roles of consumers and producers.
This book examines the intertwined histories of television and migration in Australia, told from the perspectives of migrants who worked in the screen industry and the many more who watched television.
