English lit scholar Glenda Hudson examines Jane Austen's presentation of sibling love and rivalry in the context of the dramatic social and historical changes in the late 18th century--and also analyzes the incest motif in numerous works of the period.
This is a collection of original essays by international scholars which focuses on Irish writing in English from the eighteenth century to the present.
Part of a series which follows the outline of writers' working lives, aiming to trace the professional, publishing and social contexts which shaped their writing.
In this provocative and incisive book the author re-examines Samuel Johnson's major texts, focusing on his famous review of Soame Jenyns's A Free Inquiry into the Nature and Origin of Evil as a principal source of insight and innovation.
This chronology, like others in the series, presents the story of Dr Johnson's life in a readily accessible format to provide scholar and general reader alike with a quick guide to dates, people and places together with supplementary indexes.
This collection of Coleridge's political and social writings includes the second "e;Lay Sermon"e; of 1817 and "e;In the Constitution of Church and State"e;, printed with only slight abridgements.
Im Gegensatz zu den bisher vorrangig werkorientierten Untersuchungen zur frühbarocken Dichterin Sibylla Schwarz (1621-1638) versteht sich dieser Band durch eine kulturgeschichtliche Kontextualisierung ihrer Poesie als Korrektur und Erweiterung früherer Forschungen.
The life and times of Milton's epic poem about Satan's revolt against God and humanity's expulsion from paradiseJohn Milton's Paradise Lost has secured its place in the pantheon of epic poems, but unlike almost all other works in the pantheon, it is intimately associated with religious doctrine and its implications for how we live our lives.
A Modern Coleridge shows the interrelatedness of the discourses of cultivation, addiction and habit in Coleridge's poetry and prose, and argues that these all revolve around the problematic nexus of a post-Kantian idea of free will, essential to Coleridge's eminently modern idea of the 'human'.
Moving away from traditional studies of Gothic domesticity based on symbolism, Soon instead focuses on domestic space's material presence and the traces it leaves on the human subjects inhabiting it.
Combining historical poetics and book history, Romantic Poetry and Literary Coteries shows Romanticism as characterized by tropes and forms that were jointly produced by literary circles.
In this book the eighteenth century Enlightenment receives an important reassessment, using an astonishing range of materials and objects drawn from Europe and beyond, including artefacts from India and China, West Africa and Polynesia.
This book argues that the most interesting depictions of blindness in French fiction are those which call into question and ultimately undermine the prevailing myths and stereotypes of blindness which dominate Western thought.
This book provides compelling new readings of William Blake's poetry and art, including the first sustained account of his visionary paintings of Pitt and Nelson.
Examining chameleonic identities as seen in theatrical performances and literary texts during the Romantic period, this study explores cultural attitudes toward imposture and how it reveals important and much-debated issues about this time period.
Scholarly interest in 'the Irish Gothic' has grown at a rapid pace in recent years, but the debate over exactly what constitutes this body of literature remains far from settled.
Analysing texts by Sterne, Smollett, Brooke, and Mackenzie, this book offers a new perspective on a question that literary criticism has struggled with for years: why are many sentimental novels of the 1700s so pervasively and playfully self-conscious, and why is this self-consciousness so often directed toward the materiality of the printed word?
Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works never before reprinted, twelve period writings about Stoker, and the rare 1913 estate sale catalogue of his personal library.