Moving away from traditional studies of Gothic domesticity based on symbolism, Soon instead focuses on domestic space's material presence and the traces it leaves on the human subjects inhabiting it.
Durante los siglos XVI y XVII los sueños asumieron un rol protagónico en la cultura occidental, dejando un vasto corpus de literatura dedicada al tema.
The Agency of Objects in English Prose, 1789-1832: Conspicuous Things engages with new materialist methodologies to examine shifting perceptions of nonhuman agency in English prose at the turn of the nineteenth century.
The Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy.
Joe Bray's careful analysis of Jane Austen's stylistic techniques reveals that the genius of her writing is far from effortless; rather he makes the case for her as a meticulous craftswoman and a radical stylistic pioneer.
Die hier versammelten Beiträge zielen auf einen grundsätzliche Klärung der Mentalitäts- und Identitätsgeschichte der deutschen literarischen Intelligenz ab und sind damit nicht nur von literaturgeschichtlichem, sondern auch von sozialwissenschaftlichen Interesse.
This volume deals with matters of public religious expression and aspects of interconfessionality in the case of the Greek Orthdox clergyman and scholar Gerasimos Vlachos (1607-1685) from Candia, Crete.
George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together.
The central claim of Minds in Motion is that British travel writing of the long eighteenth century functions as an epistemological playing field where authors test empiricist models of engagement with the world while simultaneously seeking out the role of the self and the imagination in producing knowledge.
Starting from the fundamental epistemological shifts characterising the seventeenth century, this book explores the re-conceptualization of the notion of truth and asks how factuality, along with other truth-carrying discourses, was appropriated by a range of texts to generate credibility.
This book argues for the importance of blasphemy in shaping the literature and readership of Percy Bysshe Shelley and of the Romantic period more broadly.
This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality.