This book examines Toni Morrison's fiction as a sustained effort to challenge the dominant narratives produced in the white supremacist political imaginary and conceptualize a more inclusive political imaginary in which black bodies are valued.
The book is the first full-length text on Anthony Burgess's fiction in a generation, and offers a radical and innovative way of understanding the extensive literary achievements of one of the twentieth century's most innovative authors.
This book examines how the transcultural and transnational migration of people, texts, and ideas has transformed the paradigm of national literature, with Britain and Ireland as case studies.
The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century.
This book is about one person's reading and what has been learnt about how the lives of other people, particularly authors, have been written in British literary biographies over the last fifty years.
This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art.
Ian McEwan, Margaret Drabble, Martin Amis, Rita Dove, Andrew Motion and Anthony Thwaite are among the twenty-two distinguished contributors of original essays to this landmark volume on the profound and frequently perplexing bond between writer and mother.
According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention.
This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times.
This book explores how alarmist social discourses about 'cruel' young people fail to recognize the complexity of cruelty and the role it plays in child agency.
This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means.
Age is a missing category in Irish literary criticism and this book is the first to explore a range of familiar and not so familiar Irish texts through a gerontological lens.
This collection of critical essays explores the literary and visual cultures of modern Irish suburbia, and the historical, social and aesthetic contexts in which these cultures have emerged.
Affect Theory and Literary Critical Practice develops new approaches to reading literature that are informed by the insights of scholars working in affect studies across many disciplines, with essays that consider works of fiction, drama, poetry and memoir ranging from the medieval to the postmodern.
This book updates our understanding of working-class fiction by focusing on its continued relevance to the social and intellectual contexts of the age of Trump and Brexit.
The fourteen contributors to this new collection of essays begin with Ted Hughes's proposition that 'every child is nature's chance to correct culture's error.
This collection takes as its starting point the ubiquitous representation of various forms of mental illness, breakdown and psychopathology in Caribbean writing, and the fact that this topic has been relatively neglected in criticism, especially in Anglophone texts, apart from the scholarship devoted to Jean Rhys's Wide Sargasso Sea (1966).
This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today's transmedia storytelling.
We live in an age where language and screens continue to collide for creative purposes, giving rise to new forms of digital literatures and literary video games.
This book examines the intersection of trauma and the Gothic in six contemporary British novels: Martin Amis's London Fields, Margaret Drabble's The Gates of Ivory, Ian McEwan's Atonement, Pat Barker's Regeneration and Double Vision, and Kazuo Ishiguro's Never Let Me Go.
Taking as its premise the belief that communalism is not a resurgence of tradition but is instead an inherently modern phenomenon, as well as a product of the fundamental agencies and ideas of modernity, and that globalization is neither a unique nor unprecedented process, this book addresses the question of whether globalization has amplified or muted processes of communalism.
This book offers a readable introduction to the main aspects of thought experimenting in philosophy and science (together with related imaginative activities in mathematics and linguistics).
This edited book represents the first cohesive attempt to describe the literary genres of late-twentieth-century fiction in terms of lexico-grammatical patterns.
This book is a collection of traditional German fairy tales and fables, deliberately transformed into utopian narratives and social commentary by political activists in the Weimar Republic (1919-1933).
Taking an interdisciplinary approach, Page casts light on the role of citizenship, immigration, and transnational mobility in Caribbean migrant and diaspora fiction.
This book explores the formative role of mobilities in the production of our close relationships, proposing that the tracks-both literal and figurative- we lay down in the process play a crucial role in generating and sustaining intimacy.
This book takes a new approach to travel writing about Latin America by examining 'domestic' journey narratives that have been produced by travellers from the continent itself and largely in Spanish.
This book introduces Elite Theory to the literary study of class as a framework for addressing issues of the nature of governance in political fiction.
Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a “genius” upon the publication of his “luminescent” novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow.