The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances, beginning with Nell Gwyn in a 1668 staging of Secret Love, and moving chronologically towards the final performance of John Philip Kemble's controversial adaptation of Thomas Otway's Venice Presever'd in October 1795.
Published in 1988: The Story of Meriadoc, King of Cambria is about a prince of the kingdom of Cambria (pre-Saxon Wales) who after surviving an attempted assassination by his uncle, fights as a young Knight in the cause of royal justice.
GREEK DRAMA and the Invention of Rhetoric An impressively erudite, elegantly crafted argument for reversing what everybody knows about the relation of two literary genres that played before mass audiences in the Athenian city state.
Revisiting Shakespeare's Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline.
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state.
A work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form.
Born in Belfast during World War II, raised in a working-class Protestant family, and educated on scholarship at Queen's University, writer Stewart Parker's story is in many ways the story of his generation.
Queer Shakespeare: Desire and Sexuality draws together 13 essays, which offer a major reassessment of the criticism of desire, body and sexuality in Shakespeare's drama and poetry.
Passion's Fictions traces the intimate links between literature and the sciences of mind and soul from the age of Shakespeare to the rise of the novel.
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.
Cross-gender performance was an integral part of Shakespearean theatre: from boys portraying his female characters, to those characters disguising themselves as men within the story.
Griselda Gambaro is arguably one of Argentina's most important dramatists, as well as a playwright of international significance, whose poetics not only interpret Argentine reality but transcend cultural and geographical borders.
Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "e;soar above th' Aonian Mount [i.
Many of our favorite films began as plays-some as well known as Shakespeare's Romeo and Juliet, and some not so well known as You've Got Mail's origin, a 1937 play Parfumerie by Miklos Laszlo.
Montaigne's English Journey examines the genesis, early readership, and multifaceted impact of John Florio's exuberant translation of Michel de Montaigne's Essays.
This collection of sixteen articles, written by leading specialists in Classical and English literature, is an important contribution to the critical assessment of Ted Hughes, one of the most popular and controversial English poets of the late 20th century.
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama.
When Jon Fosse had his playwright d but with And We Shall Never Part at the National Theatre in Bergen in 1994, he was already an established author of several novels, collections of poetry and children's books.
The chapters in this book constitute a timely response to an important moment for early modern cultural studies: the academy has been called to attend to questions of social justice.
Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E.
Christopher Marlowe was the most successful dramatist of his time, his untimely death cutting short a career that may well have rivalled Shakespeare's.