This book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them.
This book focuses on the influence of classical authors on Ben Jonson's dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists.
This book focuses on the influence of classical authors on Ben Jonson's dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists.
Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century.
Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century.
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico Garcia Lorca's trajectory in the theater as a lifelong search for an audience.
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico Garcia Lorca's trajectory in the theater as a lifelong search for an audience.
This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba.
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "e;picturing"e; in early modern English literature.
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "e;picturing"e; in early modern English literature.
In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented.
In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented.
The Ocean of Mirth brings together an English translation and an analytical interpretation of a singularly crucial, but obscure, Sanskrit medieval text, the Hasyarnava-Prahasanam of Jagadesvara Bhattacharya.
The Ocean of Mirth brings together an English translation and an analytical interpretation of a singularly crucial, but obscure, Sanskrit medieval text, the Hasyarnava-Prahasanam of Jagadesvara Bhattacharya.
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook's The Mahabharata.
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook's The Mahabharata.
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault's entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish.
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault's entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.