Applied Shakespeare is attracting growing interest from practitioners and academics alike, all keen to understand the ways in which performing his works can offer opportunities for reflection, transformation, dialogue regarding social justice, and challenging of perceived limitations.
Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power.
Winner of the Pulitzer Prize in drama as well as Tony Awards for best play and best actor, Tracy Letts has emerged as one of the greatest playwrights of the twenty-first century.
In this authoritative edition of John Milton s epic poem, Paradise Lost is presented in the original language of its 1674 publication, with explanatory annotations and word glosses.
Through a selection of essays from a variety of scholarly voices, this volume maps the various ways in which Shakespeare has been adapted, adopted and appropriated in Ireland from the late 17th century through to the present day.
This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory.
This book offers tools to address the growing and urgent interest in exposing and challenging unconscious biases in the studio, exploiting how actor training uniquely combines elements of education and culture.
This book offers tools to address the growing and urgent interest in exposing and challenging unconscious biases in the studio, exploiting how actor training uniquely combines elements of education and culture.
How the study of Shakespeare's legacy, specifically in film and television, can radically challenge what we consider to be authentically Shakespearean In the field of adaptation studies today, the idea of reading an adapted text as "e;faithful"e; or "e;unfaithful"e; to its original source strikes many scholars as too simplistic, too conservative, and too moralizing.
A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole.
Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.
Opening up a new window to see Shakespeare's words in a different light and gathering his intentions in a simple, clear way, this book presents the Cue Scripts from the Romances and Histories in Shakespeare's First Folio.
Drawing parallels between ancient theatre, the analytic setting, and the workings of psychic life, this book examines the tragedies of Euripides, Sophocles, and Aeschylus through a psychoanalytic lens, with a view of furthering the reader's understanding of primitive mental states.
This volume explores the adaptations of Greek tragedy, performances, and activism of playwright Luis Alfaro and their impact on the field of Classics, classroom instruction, and community outreach.
This volume explores the adaptations of Greek tragedy, performances, and activism of playwright Luis Alfaro and their impact on the field of Classics, classroom instruction, and community outreach.
Originally published in 1980, each of the three playwrights discussed in this lively book was a radical in his own way, concerned with the moral and social implications of capitalism.
Originally published in 1980, each of the three playwrights discussed in this lively book was a radical in his own way, concerned with the moral and social implications of capitalism.
