This volume offers a critique of cultural and intellectual life in Greece during the dictatorship of 1967-1974, discussing how Greek playwrights, directors, and actors reconceived the role of culture in a state of crisis and engaged with questions of theater's relationship to politics and community.
Shakespeare's Princes of Wales spotlights the surprising abundance of princes of Wales--English and Welsh alike--appearing onstage in the late Tudor and early Stuart period.
Not for nothing is William Shakespeare considered possibly the most famous writer in history; his works have had a lasting effect on culture, vocabularies, and art.
Not for nothing is William Shakespeare considered possibly the most famous writer in history; his works have had a lasting effect on culture, vocabularies, and art.
The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational.
This volume explores the development of literary culture in sixteenth-century England as a whole and seeks to explain the relationship between the Reformation and the literary renaissance of the Elizabethan period.
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own.
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own.
On 19 December 1601, John Croke, then Speaker of the House of Commons, addressed his colleagues: "e;If a question should be asked, What is the first and chief thing in a Commonwealth to be regarded?
While the end of the nineteenth century is often associated with the rise of objectivity and its ideal of a restrained observer, scientific experiments continued to create emotional, even theatrical, relationships between scientist and his subject.
During the seventeenth and eighteenth centuries, France became famous -- notorious even -- across Europe for its ambitious attempts to codify and theorise a system of universally valid dramatic 'rules'.
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today.
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now.
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now.
Aristophanes' engagement with tragedy is one of the most striking features of his comedies: Euripides appears repeatedly as a character in these plays, jokes about tragedy and tragic poets abound, and parodies of tragedy frequently underlie whole scenes and even the plots of these plays.
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century.
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "e;staged"e; in a double sense.
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today.
Aristophanes' engagement with tragedy is one of the most striking features of his comedies: Euripides appears repeatedly as a character in these plays, jokes about tragedy and tragic poets abound, and parodies of tragedy frequently underlie whole scenes and even the plots of these plays.
Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "e;soar above th' Aonian Mount [i.
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas.
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals.
Roark Bradford's 1931 novel and 1939 play dealing with the legendary folk-hero John Henry (both titled John Henry) were extremely influential in their own time but have long been unavailable or extremely hard to find.
In the wake of the death of his friend Arthur Henry Hallam, the subject of In Memoriam, Alfred Tennyson wrote a range of intricately connected poems, many of which feature pivotal scenes of rapture, or being carried away.
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals.
