This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba.
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "e;picturing"e; in early modern English literature.
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "e;picturing"e; in early modern English literature.
In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented.
In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented.
The Ocean of Mirth brings together an English translation and an analytical interpretation of a singularly crucial, but obscure, Sanskrit medieval text, the Hasyarnava-Prahasanam of Jagadesvara Bhattacharya.
The Ocean of Mirth brings together an English translation and an analytical interpretation of a singularly crucial, but obscure, Sanskrit medieval text, the Hasyarnava-Prahasanam of Jagadesvara Bhattacharya.
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook's The Mahabharata.
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook's The Mahabharata.
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault's entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish.
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault's entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.
This book explores how the pregnant body is portrayed, perceived and enacted in Shakespeare's and his contemporaries' drama by means of a phenomenological analysis and a recourse to early modern popular medical discourse on reproduction.
This book explores how the pregnant body is portrayed, perceived and enacted in Shakespeare's and his contemporaries' drama by means of a phenomenological analysis and a recourse to early modern popular medical discourse on reproduction.
Through a close re-examination of Eugene O'Neill's oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O'Neill's vision of tragedy privileges a particular emotional response over a more "e;rational"e; one among his audience members.