In 16 Fallstudien stellen die Beiträgerinnen und Beiträger dieses Bandes Phänomene der Wiederholung in Texten und Aufführungsprinzipien des Gegenwartstheaters zusammen und arbeiten mögliche Bedeutungspotentiale heraus.
I remember thinking, what difference is there between donating my body to science and donating it to someone who might find pleasure in it when I'm dead.
This volume celebrates Thomas Middleton's legacy as a dramatist, marking the 400th anniversary of Middleton's final and most contentious work for the public theatres, A Game at Chess (1624).
This volume celebrates Thomas Middleton's legacy as a dramatist, marking the 400th anniversary of Middleton's final and most contentious work for the public theatres, A Game at Chess (1624).
I remember thinking, what difference is there between donating my body to science and donating it to someone who might find pleasure in it when I'm dead.
Das Buch 'Genie und Wahnsinn' von Oskar Panizza ist ein beeindruckendes Werk, das sich mit der Verbindung zwischen Genie und Wahnsinn auseinandersetzt.
Cet ouvrage nous plonge dans l’univers complexe du théâtre traditionnel de l’Iran, du ta’zieh à l’art du conteur, des marionnettes à la farce, dévoilant un monde du spectacle en transition avec les œuvres visionnaires de Bahram Beyzaie (1938-).
Opening up a new window to see Shakespeare's words in a different light and gathering his intentions in a simple, clear way, this book presents the Cue Scripts from the Tragedies in Shakespeare's First Folio.
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'.
In 'The Story of London: Charles Dickens' Perspective in 11 Novels & 80+ Short Stories (Illustrated)', readers are taken on a literary journey through Victorian London as portrayed by the iconic author Charles Dickens.
Un écrivain emménage provisoirement à Paris, là où, le 16 juillet 1942, treize mille cent cinquante-deux juifs de France, dont quatre mille cent quinze enfants, furent conduits à la mort.
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it.
À l’occasion d’un étrange rendez-vous, l’avocat d’affaires Henri Dutertre se retrouve pris au piège par une femme séduisante accompagnée d’un vieil homme pontifiant.
Wie kaum eine andere Dramatikerin schafft es Elfriede Jelinek, mit ihren Texten seit Jahrzehnten für Aufruhr auf der Bühne und in den medialen und wissenschaftlichen Anschlussdiskursen zu sorgen.
Synge, who came from a middle-class Protestant family near Dublin, created a huge scandal at the Abbey Theatre in Dublin, where The Playboy was staged in 1907, because its audience did not take kindly to a comedy that seemed to portray the Irish as violent, superstitious sots and swaggerers.
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers.
En 1885, Robert Louis Stevenson, auteur de L’île au trésor, enflammé par la fièvre, fait le cauchemar visionnaire qui bouleversera non seulement sa fragile existence mais aussi l’histoire de la littérature.
Librement inspiré de la vie de Louis Braille (l’inventeur de la lecture pour aveugles), ce récit retrace la vie d’un génie modeste et pourtant essentiel !
Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre.
Before 1790, the criticism of Richard II is fragmentary and this volume takes up the major tradition of criticism, including Malone, Lamb, Coleridge, Hazlitt, Chambers, Boas, Brandes, Yeats, Schelling, Swinburne, A.
