This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers.
Before 1790, the criticism of Richard II is fragmentary and this volume takes up the major tradition of criticism, including Malone, Lamb, Coleridge, Hazlitt, Chambers, Boas, Brandes, Yeats, Schelling, Swinburne, A.
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it.
Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre.
Depuis une dizaine d’années, les artistes du Proche-Orient, du Maghreb et Moyen-Orient sont de plus en plus programmés sur les scènes françaises et européennes.
Set out to a time in medieval England, rampant with violent clashes between the king and the clergy, where the wealthy abuse their power to discriminate against the poor.
Tragedia divertida e imprescindible obra maestra de la literatura universal: transcurre en Dinamarca, y trata de los acontecimientos posteriores al asesinato del rey Hamlet (padre del príncipe Hamlet), a manos de su hermano Claudio, quien se casa con su viuda.
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted.
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted.
»Nur im Wechsel ertragen wir unser Leben« Hugo von Hofmannsthal Unter den großen Autoren der literarischen Moderne ist Hugo von Hofmannsthal ein faszinierender Sonderfall, reich an Widersprüchen und vielfältig in seiner weitgespannten Produktivität.
Shakespeare in the 'Post'Colonies provides a wide-ranging examination of engagements with and adaptations of Shakespeare in regions that were once under European colonial rule.
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'.
