In 'The Story of London: Charles Dickens' Perspective in 11 Novels & 80+ Short Stories (Illustrated)', readers are taken on a literary journey through Victorian London as portrayed by the iconic author Charles Dickens.
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it.
Wie kaum eine andere Dramatikerin schafft es Elfriede Jelinek, mit ihren Texten seit Jahrzehnten für Aufruhr auf der Bühne und in den medialen und wissenschaftlichen Anschlussdiskursen zu sorgen.
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers.
The Misfortunes of Arthur, written by Thomas Hughes is one of the earliest printed plays from the English Renaissance and, as such, deserves its place of interest in dramaturgical studies for its historical significance.
Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre.
First published in 1953, Tragedy and the Paradox of the Fortunate Fall argues that our response to tragedy is made up of a series of responses: the impact of experience which produces the archetypes of belief; the formation of the archetype of rebirth; the crystallization of the archetype of rebirth in the myth and ritual of the ancient Near East; the transformation of myth and ritual in the religions of the ancient world, including Christianity; the formalization of the archetype of rebirth into the concept of felix culpa, the paradox of the fortunate fall and finally the secular utilization of the paradox of the fortunate fall as the substance out of which tragedy is made.
Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland's artistic production and the wider global cultural production of postcolonial literature.
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers.
The Misfortunes of Arthur, written by Thomas Hughes is one of the earliest printed plays from the English Renaissance and, as such, deserves its place of interest in dramaturgical studies for its historical significance.
First published in 1953, Tragedy and the Paradox of the Fortunate Fall argues that our response to tragedy is made up of a series of responses: the impact of experience which produces the archetypes of belief; the formation of the archetype of rebirth; the crystallization of the archetype of rebirth in the myth and ritual of the ancient Near East; the transformation of myth and ritual in the religions of the ancient world, including Christianity; the formalization of the archetype of rebirth into the concept of felix culpa, the paradox of the fortunate fall and finally the secular utilization of the paradox of the fortunate fall as the substance out of which tragedy is made.
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it.
Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre.
Tragedia divertida e imprescindible obra maestra de la literatura universal: transcurre en Dinamarca, y trata de los acontecimientos posteriores al asesinato del rey Hamlet (padre del príncipe Hamlet), a manos de su hermano Claudio, quien se casa con su viuda.
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted.
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted.
»Nur im Wechsel ertragen wir unser Leben« Hugo von Hofmannsthal Unter den großen Autoren der literarischen Moderne ist Hugo von Hofmannsthal ein faszinierender Sonderfall, reich an Widersprüchen und vielfältig in seiner weitgespannten Produktivität.
