Free Will: Art and power on Shakespeare's stage is a study of theatre and sovereignty that situates Shakespeare's plays in the contraflow between two absolutisms of early modern England: the aesthetic and the political.
A revealing examination of an under-explored area of Shakespeare studies, this work looks at the evidence for the author's deep and evolving response to the loss of his only son, Hamnet.
At Work in the Early Modern English Theater: Valuing Labor explores the economics of the theater by examining how drama seeks to make sense of changing conceptions of labor.
Opening up a new window to see Shakespeare's words in a different light and gathering his intentions in a simple, clear way, this book presents the Cue Scripts from the Comedies in Shakespeare's First Folio.
This comprehensive, accessible introduction to one of Britain's leading contemporary playwrights and filmmakers outlines Martin McDonagh's body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work.
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory.
The Politics of Tragicomedy: Shakespeare and After offers a series of sophisticated and powerful readings of tragicomedy from Shakespeare's late plays to the drama of the Interregnum.
The Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing.
Ten years after the publication of Shinn Plays: One comes this second volume of his plays, bringing together some of the playwright's most acclaimed work to date.
First published in 2004, David George's majestic compendium of criticism relating to Shakespeare's Coriolanus was recognised as a major contribution to teaching and scholarship on the play.
Satire reconsiders the entertainment, political dissent and comic social commentary created by innovative writers and directors since this theatrical form took the stage in ancient Athens.
If you're not interested in earning a new pair of Nikes by the end of the day complete designer wardrobe by the end of the week all the beers you can drink if you don't want to meet Uma Thurman then okay, stay here, as King of the Slackers, that's fine by me.
Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy.