England became a centrally important maritime power in the early modern period, and its writers – acutely aware of their inhabiting an island – often depicted the coastline as a major topic of their works.
Ross Woodman's Sanity, Madness, Transformation was an adventurous exploration of the links between madness in Romantic writing and modern literary and psychoanalytic theory.
In Gratitude for All the Gifts explores the literary and cultural links between the bestselling, Nobel Prize-winning Northern Irish poet Seamus Heaney and the preeminent Eastern European poets of the twentieth century, including fellow Nobel laureate Czeslaw Milosz and Zbigniew Herbert.
Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce.
Given current environmental concerns, it is not surprising to find literary critics and theorists surveying the Romantic poets with ecological hindsight.
Xenophanes of Colophon was a philosophical poet who lived in various cities of the ancient Greek world during the late sixth and early fifth centuries BC.
The multifaceted and labyrinthine oeuvre of the Portuguese poet Fernando Pessoa (1888-1935) is distinguished by having been written and published under more than seventy different names.
General Manley Hopkins was not alone among Victorians in his attention to the human self and to the particularities of things in the world around him, where he savoured the 'selving or 'inscape' of each individual existent.
More than 900 entries, carefully selected, organized, and annotated, and accompanied by informative background material, make this volume a unique and indispensable guide to Chaucer and related studies.
Dante's Fearful Art of Justice deals primarily with the symbolic significance of 'the state of souls after death' in various episodes of the Inferno, the first canticle of Dante's Divina Commedia.
The original At the Mermaid Inn, one of the most notable literary endeavours in Canada, was the result of the combined efforts of three poets: Wilfred Campbell (1858-1918), Archibald Lampman (1861-99), and Duncan Campbell Scott (1862-1947).
The aim of the author, who has long been interested in the history of ideas, has been to give some illustrations of the ways in which at various periods English poetry has reflected current views of the human mind, with special reference to such topics as its place in the cosmos, its relations with the body, the connections between sense, passions, and reason, the problem of soul and its possible survival after death.
In this volume, Professor Bronson is primarily interested in the three worlds which appear in Chaucer's poetry: the dream world; the world of the mundane existence and waking observation; and the world of imagined life through reading.
In this study of the study of the linguistic approach to narrative structures, the author examines the question of point of view in fiction, drawing examples from Czech literature.
These vigorous lectures deal with some of the many ways in which the question of structure in poetry (here synonymous with the whole range of artistic creation in words) can be discussed.
The love sonnets of Louise Labé of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.
The Ukrainian national poetess Lesya Ukrainka (1871–1913) has contributed greatly to the development of Ukrainian Modernism and its transition from Ukrainian ethnographic themes to subjects that were universal, historical and psychological.
In the last fifty or so years there has been a gradual shift of attention in scholarship on the Nibelungenlied from reconstruction of the texts, and tracings of the poem’s multiple and complex antecedents, to interpretation.
The earliest foreign study of the life and works of Edgar Allan Poe, the text presented in this volume is something of a landmark in the history of comparative literature.
After Florence Hester Edgar passed away in 1944, there was found among her effects a quantity of compositions in prose and verse almost ready for publication.
One of the chief characteristics of nineteenth-century poetics was a tendency to test the conventions and techniques of literary genres by shifting, modifying, and combining various styles and forms.
Xenophanes of Colophon was a philosophical poet who lived in various cities of the ancient Greek world during the late sixth and early fifth centuries BC.
Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II.
Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II.
An uncompleted manuscript that combines lyric poetry and prose commentary, the Banquet (or Convivio) is one of Dante Alighieri’s most important and least understood philosophical texts.