At the outset of his career Ted Hughes described letter writing as 'excellent training for conversation with the world', and he was to become a prolific master of this art.
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante.
In Poetic Sisters, Deborah Kennedy explores the personal and literary connections among five early eighteenth-century women poets: Anne Finch, Countess of Winchilsea; Elizabeth Singer Rowe; Frances Seymour, Countess of Hertford; Sarah Dixon; and Mary Jones.
This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection.
With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country.
What kind of allusion is possible in a poetry derived from a centuries-long oral tradition, and what kind of oral-derived poetry are the Homeric epics?
Ancient sport made a huge if indirect contribution to the literature of ancient Greece, since some sixty poems by Pindar and Bacchylides ('epinikian odes'), written to commemorate victories, survive from the Classical period.
This new translation of Pindar's songs for victorious athletes marries philological rigour with poetic sensibility in order to represent the beauty of his language for a modern audience as closely as possible.
This book examines the development of Samuel Taylor Coleridge's intellectual legacy in Britain and America from 1834 to 1934 by focusing on his late role as the Sage of Highgate and his programme of educating young minds who were destined for the higher professions (particularly preaching and teaching).
In a linked collection that presents the secreted small tragedies of an Anglican congregation struggling to survive, All Saints delves into the life of Simon, the Reverend, and the lives of his parishioners: Miss Alice Vipond, a refined and elderly schoolteacher, incarcerated for a horrendous crime; a woman driven to extreme anxiety by borderline-abusive sex; Owen, The Shitblood Man, who, lost in the woods, loses himself in a fit of rage; a receptionist and her act of improbable generosity; a writer making peace with her divorce.
Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products-films, poetry, fiction, architectural buildings, autobiographical writing, and social media-to individuate through them the dynamics of memory.
This innovative study analyzes the range of representation of farming in Irish literature in the period since independence/partition in 1922, as Ireland moved from a largely agricultural to a developed urban society.
Composición de 136 versos octosílabos de pie quebrado, el "Romance" de Luis de Miranda está considerado el primer texto literario de la época colonial en el Río de la Plata.
Constitutions of Self in Contemporary Irish Poetry explores the figure of the lyrical self in the work of six contemporary Irish poets: Paul Muldoon, Vona Groarke, Sinead Morrissey, Caitriona O'Reilly, Alan Gillis and Nick Laird.
The love sonnets of Louise Labé of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.
Decimus Magnus Ausonius of Bordeaux, whose life spanned the greater part of the fourth century AD, was one of the most significant literary and political figures of his age.
L’autrice interpreta il racconto di Balzac “Le Chef-d’oeuvre inconnu” come equivalente narrativo di una identità di artista in trasformazione negli anni Trenta dell’Ottocento.
Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth- and fourteenth-century Italy.