Romaine Moreton ist ein australische Autorin, Filmemacherin und poetische Performerin und entstammt den Aborigine-Gemeinschaften der Goernpilund der Bundjalung.
Convivialities is a collection of dialogues with contemporary writers and artists Dana Michel, Joshua Clover and Jasper Bernes, Shanzhai Lyric, Cecily Nicholson, Raven Chacon, Divya Victor, Carlos Soto Roman, Tanya Lukin Linklater, Gail Scott, Kevin Davies, The Culture and Technology Discussion and Working Group, and Ryan C.
Written by the author of "e;The Poetry of Seamus Heaney: All the Realms of Whisper"e; and "e;Contemporary Irish Poetry: A Collection of Critical Essays"e;, this is a collection of critical essays on Seamus Heaney.
Modernist Poetry, Gender and Leisure Technologies: Machine Amusements explores how modernist women poets were inspired by leisure technologies to write new versions of the gendered subject.
Ausgehend von der These, dass es sich bei der politischen Lyrik der Gegenwart vor allem um eine Lyrik des Politischen, eine lyrische Streitkultur handelt, wird in „Lyrische Agonistik.
Das Handbuchdokumentiert den Stand der Idyllenforschung und zeigt neue Wege auf, um die ‚Idylle‘ und das ‚Idyllische‘ literatur- und kulturwissenschaftlich zu erfassen.
Nicht zuletzt die Zeitgenossenschaft ermöglicht es Schütze, mit einem distanzlosen Blick auf den Dichter über ihn zu schreiben, wie es späteren Biografen aus der historischen Distanz nicht mehrmöglich war.
In der Critischen Dichtkunst, seinem literaturtheoretischen Hauptwerk, argumentierte Gottsched für seine rationalistische Dichtungsauffassung, gemäß der Poesie Regeln zu folgen habe, welche sich mit den Mitteln der Vernunft begründen lassen.
A inicios de 1596, salía de las prensas de Antonio Ricardo en Lima el primer poema épico escrito por un criollo americano: el Arauco domado de Pedro de Oña.
La obra de Daniel López parte de tomar una de las grandes creaciones de la literatura argentina como lo es el Martín Fierro de José Hernández y le asigna una resignificación que parte de una actualización del objetivo, que es la defensa del desposeído.
This book provides a stylistic and cognitive poetic account of ekphrastic poetry (poetry whose subject matter is predominantly artworks and images), examining the linguistic processes through which works of art can become literary objects.
Experimentation and the Lyric in Contemporary French Poetry offers a new theoretical approach and historical perspective on the remarkable upsurge in creative poetic practices in France that have challenged traditional definitions of poetry and of the lyric.
This book understands digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cultural ideology.
This accessible textbook hinges on the central assumptions of Cognitive Linguistics and Cognitive Grammar, introducing students to the analytical tools they need to approach Stylistics, an essential area in language analysis.
Through discussion of the ways in which major Northern Irish poets (such as John Hewitt, Seamus Heaney, Michael Longley, Louis MacNeice and Derek Mahon) have been influenced by America, this study shows how Northern Irish poetry overspills national borders, complicating and enriching itself through cross-cultural interaction and hybridity.
Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the nation-state.
This comprehensive guide to the poems, prose, biography, ideas and contexts of Percy Bysshe Shelley features entries on all the major poems and prose works (including inspiration, composition and publication), Shelley's politics, relationships and travels, his representation in novels, drama, film and portraits, and his critical reception.
Approaching the writings of Mary Wroth through a fresh 21st-century lens, this volume accounts for and re-invents the literary scholarship of one of the first "canonized" women writers of the English Renaissance.
Literary Politics identifies and debates competing definitions of 'English Studies' as an academic subject, celebrates the diversity of contemporary literary studies, and demonstrates the ways in which a range of literary texts can be understood as politically engaged, sometimes in unexpected ways.
The Event of Style in Literature brings discussions about the question of style up-to-date by schematising the principal issues relating to the topic through a critical overview of the canon of style studies.
Shakespeare's 'Whores' studies each use of the word 'whore' in Shakespeare's canon, focusing especially on the positive personal and social effects of female sexuality, as represented in several major female characters, from the goddess Venus, to the queen Cleopatra, to the cross-dressing Rosalind, and many others.
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare.
This book reconsiders the Celtic Revival by examining appropriations of Shakespeare, using close readings of works by Arnold, Dowden, Yeats and Joyce to reveal the pernicious manner in which the discourse of Anglo-Irish cultural politics informed the critical paradigms that mediated the reading of Shakespeare in Ireland for a generation.
Through a professional story-teller's sometimes humorous commentary on culture and literature from The Odyssey on , the book suggests that literature is not an artifact to be studied but a living process.
Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Tracing connections between Gary Snyder and his Romantic and Transcendentalist predecessors - Wordsworth, Blake, Emerson, Whitman, and Thoreau - this study explores the tension between urbanization and overindustrialization.
The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature.
Through close readings of texts by playwright Anne Devlin, poet Medbh McGuckian, and novelist Anna Burns, this book examines the ways Irish cultural production has been disturbed by partition.
Exploring the work of William Blake within the context of Methodism - the largest 'dissenting' religious group during his lifetime - this book contributes to ongoing critical debates surrounding Blake's religious affinities by suggesting that, contrary to previous thinking, Blake held sympathies with certain aspects of Methodism.
Literature and Politics in the 1620s argues that literature during this decade was inextricably linked to politics, whether oppositional or authoritarian.
