In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna.
Shakespeare's Plays: The First Folio is a beautiful new Penguin edition of William Shakespeare's first folio, with original spelling, getting as close as possible to the original plays for an authentic reading experience.
Opening up a new window to see Shakespeare's words in a different light and gathering his intentions in a simple, clear way, this book presents the Cue Scripts from the Tragedies in Shakespeare's First Folio.
You should know: I sing at parties, I wear colourful dresses, I am headstrong, I won't wear my hair up because you say I should, or do this because you prefer it, in fact I might do the other just to be contrary, but I am utterly and always myself.
After the success of The Riot Act, his version of Sophocles's Antigone, Tom Paulin turned his formidable powers of transformation on Aeschylus's Prometheus Bound.
The School for Wives concerns an insecure man who contrives to show the world how to rig an infallible alliance by marrying the perfect bride; The Learned Ladies centers on the domestic calamities wrought by a domineering woman upon her husband, children, and household.
Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers.
Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare's plays in which characters sing existing popular songs as one of their modes of communication.
Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare's plays in which characters sing existing popular songs as one of their modes of communication.
First published in 1998, this volume explores the period 1585-1649, identifying it as rich in innovative drama which challenged the boundaries between social, political and cultural activities of various kinds.
First published in 1998, this volume explores the period 1585-1649, identifying it as rich in innovative drama which challenged the boundaries between social, political and cultural activities of various kinds.