GREED, BETRAYAL, MADNESSKing Lear, first performed around 1805, and thought to have been written between Othello and Macbeth, is one of Shakespeare's greatest tragedies.
Der Roman "Zwischen Herz und Hoffnung" erzählt die fesselnde Geschichte von Jason Parker, einem aufstrebenden Architekten, der sich in die bezaubernde Künstlerin Sophia Williams verliebt.
Wien, 1848 – ein Theaterstück inmitten der RevolutionDie Suche nach einem Moment UnbeschwertheitEine Schauspielbesetzung probt für die Aufführung des Ferdinand Raimund-Stücks "Der Bauer als Millionär".
The Mountaintop is published here as a Methuen Drama Student Edition, featuring notes and commentary by Harvey Young, Dean of the College of Fine Arts, Boston University, USA.
The Mountaintop is published here as a Methuen Drama Student Edition, featuring notes and commentary by Harvey Young, Dean of the College of Fine Arts, Boston University, USA.
Questa edizione contiene il testo greco degli scholia (vetera e recentiora) e delle glosse all'Andromacha di Euripide con un apparato critico e un apparato di loci similes.
From history and politics to fantasy and farce, the first flourish of women's theatre in Canada questioned the discourses that formed and informed ideas of gender, sex, and sexuality.
In the heart of the desert, where customs rule and laws are unbreakable, a forbidden love story is born between a Bedouin woman and her cousin, who risks everything to meet her secretly, away from her father's eyes.
"e;Morisseau's characters are both overwhelmed and motivated by forces beyond their control, and are charged with rhythmic, intelligent language that they wield beautifully.
Daniel Brooks's The Full Light of Day is a modern epic tragedy, a timely exploration of crumbling privilege and power, beautifully told and innovative in form.
Italy is home to one of the most vibrant contemporary playwriting scenes in Europe, yet Italian dramatists are little known to English-language readers and audiences: discover their stories and perspective in English for the very first time.
Unanimemente reconocida por la critica (recibio el Premio Nobel de Literatura y un Oscar), tiene un interes sociocultural que va mas alla de la simple intencion teatral.
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'.
