When Philip Larkin's High Windows first appeared, Kingsley Amis spoke for a large and loyal readership when he wrote: 'Larkin's admirers need only be told that he is as good as ever here, if not slightly better.
For the first time, the vast canon of the poetry of Ted Hughes - winner of the Whitbread and Forward Prizes and former Poet Laureate - together in a single e-book.
In the decades since his death in 1963, Louis MacNeice's reputation as a poet (and, indeed, amongst poets) has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century.
'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.
Seamus Heaney's new collection starts 'in an age of bare hands and cast iron' and ends 'as the automatic lock / clunks shut' in the eerie new conditions of a menaced twentieth-first century.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature.
From his home in a West Yorkshire village proverbially associated with cuckoos, Simon Armitage has been probing the night sky with the aid of a powerful Russian telescope.
If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives.
The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963.
Electric Light travels widely in time and space, visiting the sites of the classical world, revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime.
At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.
Originally published in 1969, Seamus Heaney's Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966).
In some respects a sequel to The Man With Night Sweats, Boss Cupid is a memorialising of friends who have died, an anatomy of survival, and a self-portrait of the poet in age.
For this new edition, first published in 1971, Ted Hughes augmented his original selection of Shakespeare's poems and dramatic speeches and completely rewrote his accompanying essay, intending to restore to the common reader much of what, in Shakespeare, was instinctively available to the audience of his day, and to show how Shakespeare's language unites in its sinews and substance the full range of Elizabethan preoccupations, philosophical and social.
Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach.
In this compelling first volume in the Blackwell Introductions to Literature series, Roy Flannagan, editor of The Milton Quarterly, provides a readable and uncluttered critical account of a complicated and sophisticated author, and his poetry and prose.