Edited and self-published by Bernadette Mayer and Vito Acconci from 1967 to 1969, 0 to 9 not only documented some of the most compelling examples of intermedia performance, contemporary poetry, and post-formalist art of the period, but also pioneered new ways of conceiving (and using) the magazine as medium and instrument.
Eine Frau sieht rotDie eigenwillige Isolde wachst im Haushalt eines autoritaren, mittellosen Kunstlers auf und wird, gegen alle Widerstande, selbst Kunstlerin.