In this enchanting and moving memoir, Christina Hall writes with sharp observation about her childhood on the Hebridean island of SouthUist in the 1940s and 50s.
This volume reveals music''s role in Victorian liberalism and its relationship with literature, locating the Victorian salon within intellectual and cultural history.
This book establishes surprise as a key Emersonian affect, and demonstrates its significance for transatlantic modernism and the philosophy of pragmatism.