Estudiosos del sistema televisivo autonómico español analizan la situación de las televisiones públicas en España, así como el impacto del cese de las emisiones de la Radiotelevisión Valenciana.
Un libro innovador, repleto de fotos fijas en color de películas, ilustraciones de preproducción exclusivas e imágenes de producción captadas entre bastidores, que homenajea la contribución de los diseñadores de producción a la storytelling o narrativa visual en la pantalla.
Las adaptaciones cinematográficas son, desde hace mucho tiempo, el principal soporte de la industria de Hollywood y de las cadenas de televisión norteamericanas.
Manual breve y practico sobre el cortometraje, que reune los mejores secretos, recomendaciones y consejos de la autora, fruto de su larga experiencia entre guiones, actores y grandes festivales de cine.
En la decada de 1990, las series de ficcion televisiva de produccion espanola fueron las preferidas del publico espectador y experimentaron un auge sin precedentes.
Esta obra analiza la radio actual y sus tendencias con un objetivo claramente critico y amplia la polemica sobre el papel que debe desempenar, al lado de los otros medios de comunicacion, en la sociedad de hoy.
Los informativos en televisión amplían sus contenidos, enfoques y tratamientos y extienden las coberturas a los puntos más recónditos sorprendiéndonos con imágenes inusitadas y deslumbrantes.
Wir alle sind Teil der dritten Revolution in Film und Fern sehen – ein Prozess, der die Welt der Medien und wie wir diese konsumieren rasant verändert.
Das vorliegende Buch beschäftigt sich mit der Darstellung indigener und ethnischer Minderheiten anhand medialen ethnischen Humors und ihrer Rezeption in Lateinamerika und Europa (Argentinien, Bolivien und Deutschland).
Florian Kumb provides a comprehensive review of the current state of the international literature on the motion picture industry and then applies a mix of appropriate quantitative and qualitative research methods in three empirical studies.
This is the first book to examine whether France's ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age.
This edited volume examines the historical, political, cultural, and aesthetic implications of re-visiting Restoration Spain (1874-1931) in television costume dramas produced since 2000.
This book brings together contributions from scholars across Europe to present findings from a foresight analysis exercise on audiences and audience analysis, looking towards an increasingly datafied world and anticipating the ubiquity of the internet of things.
This book shows how the unique characteristics of traditionally differentiated media continue to determine narrative despite the recent digital convergence of media technologies.
This book identifies and analyzes the ways in which RuPaul's Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV.
From generation to generation, three outstanding American Jewish directors-William Wyler, Sidney Lumet, and Steven Spielberg--advance a tradition of Jewish writers, artists, and leaders who propagate the ethical basis of the American Idea and Creed.
This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective.
Taking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s.
This book places long overdue focus on the Palestine solidarity films of two important Arab women directors whose cinematic works have never received due attention within the scholarly literature or the cultural public sphere.
From generation to generation, three outstanding American Jewish directors-William Wyler, Sidney Lumet, and Steven Spielberg--advance a tradition of Jewish writers, artists, and leaders who propagate the ethical basis of the American Idea and Creed.
Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres.
This book examines television drama in the age of streaming-a time when television has been reshaped for national and international consumption via both linear 'flow' and on-demand user modes.
Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy.
While previous work on the Star Wars universe charts the Campbellian mythic arcs, political representations, and fan reactions associated with the films, this volume takes a transmedial approach to the material, recognizing that Star Wars TV projects interact with and relate to other Star Wars texts.
