This book offers the first thorough-going account of the covert manuscript dissemination of a pivotal text in the history of early modern philosophy and science, namely the Traite de l'homme by Rene Descartes, completed in 1633 but published in printed form only in 1662 and 1664.
This book offers the first thorough-going account of the covert manuscript dissemination of a pivotal text in the history of early modern philosophy and science, namely the Traite de l'homme by Rene Descartes, completed in 1633 but published in printed form only in 1662 and 1664.
This book offers a profound exploration of "e;spaces in transit,"e; a concept that bridges urban spaces, natural environments, and the archival and architectural echoes of the past with their representations in literature, art, and commemorative practices.
This book offers a profound exploration of "e;spaces in transit,"e; a concept that bridges urban spaces, natural environments, and the archival and architectural echoes of the past with their representations in literature, art, and commemorative practices.
This work examines the literary and biographical connections between Marcel Proust and Philip Roth against the backdrop of European and American cultural change through a social and literary narrative involving war, literature and fashion.
This work examines the literary and biographical connections between Marcel Proust and Philip Roth against the backdrop of European and American cultural change through a social and literary narrative involving war, literature and fashion.
This book arises out of a long series of conversations about one of the most intriguing, but still under-researched, aspects of testimony: how the remembering and telling of an individual Holocaust survivor changes through time, through shifting contexts and with increasing age.
This book examines Aquinas's aesthetic thought and view of art within the broader context of medieval aesthetics and the history of aesthetic development, emphasizing its profound influence on later aesthetics.
This book examines Aquinas's aesthetic thought and view of art within the broader context of medieval aesthetics and the history of aesthetic development, emphasizing its profound influence on later aesthetics.
This wide-ranging book provides a scholarly account of recent and contemporary memorial and counter-memorial practices occurring in the visual arts, across diverse postcolonial topologies and imaginaries.