Drawing a link between music and what Maurice Merleau-Ponty calls the habit body – a quasi-transcendental structure at the heart of our perceptual, social, and agential being – this book helps articulate why music has the power to express as well as shape our existence at a fundamental level.
This edited volume investigates a much-needed exploration of women phenomenologists, past and present, in particular, Hannah Arendt, Hedwig Conrad-Martius, Edith Stein, and Anna-Teresa Tymieniecka.
