Rousseau has been seen as the inventor of the concept of nature; in this collective volume philosophers and literary specialists from France and the United States examine how Rousseau's philosophy can be reinterpreted from the point of view of a constant dialectical debate between nature and culture.
It has been sixty years since Rock 'n' Roll exploded into the mainstream, yet we remain limited in our understanding of how its bawdy excesses absorbed into the annals of mass popularity in such a short amount of time.
Friedrich Nietzsche (1844-1900) loved nature and his daily walks in the Swiss Mountains and by the Mediterranean Sea heavily influenced his writing, and particularly his most famous book, Thus Spoke Zarathustra.
For a long time, the philosophically difficult topic of religious experience has been on the sidelines of phenomenological research (with a notable exception of Anthony Steinbock, who focused on mysticism).
Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined.
The contemporary Dutch historical theorist/philosopher Frank Ankersmit, an erstwhile advocate and promulgator of what has become known as "e;the linguistic turn"e; in historical theory, is very well known within the discipline.
This volume analyses Virginia Woolf's novels through a philosophical lens, providing an interpretive overview of her works through Hans-Georg Gadamer's hermeneutic ontology.
This book examines Nietzsche''s philosophical naturalism both historically and philosophically, establishing a link between his discussions of nature and normativity.
This unique book addresses trends such as vitalism, neo-Kantianism, existentialism, Marxism and feminism, and provides concise biographies of the influential philosophers who shaped these movements, including entries on over ninety thinkers.
This important new book is the first of a series of volumes collecting the essential articles by the eminent and highly influential philosopher Saul A.
This book offers a plurality of perspectives on the historical origins of logicism and on contemporary developments of logicist insights in philosophy of mathematics.
Brings together recent literary scholars and philosophers of a Wittgensteinian bent, highlighting a shared understanding of language, judgment, and interpretation.
Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience.
Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging.
Philosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century, Marcel Proust's In Search of Lost Time.
The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism.
During 2005-2006 I continued my longstanding practice of writing occasional studies on philosophical topics, both for formal presentation and for informal discussion with colleagues.
This book explores the relevance of Sartre's work in various areas of contemporary philosophy, including the imagination, philosophy of language, scepticism, social ontology, logic, film, practical rationality, emotions, and psychoanalysis.
As one of the most important philosophers of the 20th century, Michel Foucault's reputation today rests on his political philosophy in relation to the contemporary subject in a neo-liberal and globalized society.