Roger Scruton is Britain's best-known intellectual dissident, who has defended English traditions and English identity against an official culture of denigration.
Este libro constituye un aporte significativo a las preocupaciones academicas mas recientes sobre las practicas artisticas y esteticas contemporaneas y a su lugar, siempre en crisis, siempre en expansion, de sus expresiones mas complejas, en virtud de lo que tales practicas imponen en su rebeldia y en sus busquedas por ampliar lo que aqui el profesor Jairo Montoya procura resolver a la manera de una discusion que desborda el mero ambito academico universitario, pues los limites en el debate de las ideas devienen tan difusos como pretender acorralar el concepto de arte contemporaneo en unas cuantas sospechas interpretativas.
En la tradicion de las artes plastica y visuales, el taller de artista ocupa un lugar central, primero como espacio de creacion en el cual se concibe, proyecta y produce la obra, y segundo, como un espacio de formacion en el cual los artistas transmiten su saber a colectivos de aprendices, interesados en apropiar tecnicas y metodologias de creacion afines al estilo plastico del maestro.
Das Buch unternimmt den Versuch, eine Darstellung der modernen Musiktheorie zu geben, die wesentlich von Einsichten der Kognitionswissenschaften bestimmt ist.
Das Buch unternimmt den Versuch, eine Darstellung der modernen Musiktheorie zu geben, die wesentlich von Einsichten der Kognitionswissenschaften bestimmt ist.
This book explores the processes of disfiguration in the 'classical' and 'ritual-healing' performances of India, with a particular focus on the rich and diverse performance traditions of Kerala.
This book explores the processes of disfiguration in the 'classical' and 'ritual-healing' performances of India, with a particular focus on the rich and diverse performance traditions of Kerala.
This book explores how prehistoric aesthetic consciousness of the Chinese nation evolved from animality and barbarism, how it was epitomized in prehistoric artifacts, and most importantly, how this aesthetic consciousness has exerted an ever-lasting influence upon the Chinese mind and culture, by examining prehistoric archaeological discoveries, particularly pottery objects, jade ware, and rock paintings from prehistoric cultures, and by studying ancient Chinese historical and literary documents.
This book explores how prehistoric aesthetic consciousness of the Chinese nation evolved from animality and barbarism, how it was epitomized in prehistoric artifacts, and most importantly, how this aesthetic consciousness has exerted an ever-lasting influence upon the Chinese mind and culture, by examining prehistoric archaeological discoveries, particularly pottery objects, jade ware, and rock paintings from prehistoric cultures, and by studying ancient Chinese historical and literary documents.
