Blanchot and his writings on three major poets, Mallarm , H lderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart.
Aesthetics and Video Games introduces current issues and ideas in philosophical aesthetics that help us to better understand why video games are different from cinema, animation and other types of fiction.
Although, initially, dealing with specifically pedagogical issues arising out of debates within the philosophy of education, the main thrust of this book tackles the more fundamental questions concerning communication, dialogue and solitude.
For sociologists, making, distributing, and using art and cultural products constitute social practices, yet, sociologists disagree on how to investigate these practices.
Through much of the twentieth century, philosophical thinking about works of art, design, and other aesthetic products has emphasized intuitive and reflective methods, often tied to the idea that philosophy's business is primarily to analyze concepts.
Literary Knowing in Neoclassical France analyzes the work of several literary critics in France and England, at the end of the seventeenth and beginning of the eighteenth centuries, who were inspired by the idea that literature especially the literary sublime might offer us the deepest kind of knowledge.
The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science.
The present work addresses itself to the question of the nature of appraisive concepts such as were the subject of investigation in The Concepts of Value* and The Concepts of Criticism.
»Orte sind Ausgangspunkte«: Thomas Wilds großer Essay lädt zur Neuentdeckung Ilse Aichingers einMuß nicht alles immer wieder neu entdeckt werden, um zu bleiben?
The first book-length study of Sartre as philosopher of the imaginary and the development of his philosophical, literary, aesthetic and political thought.
This book reclaims Hegel's notion of the "e;end of art"e;-or, more precisely, of "e;art's past character"e;-not just as a piece of the history of philosophy but as a living critical and interpretive methodology.
Merleau-Ponty's categories of the visible and the invisible are investigated afresh and with originality in this penetrating collection of literary and philosophical inquiries.
In The Aesthetic Value of the World, Tom Cochrane defends Aestheticism, the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one.
This book introduces narrative justice, a new theory of aesthetic education the thesis that the cultivation of aesthetic or artistic sensibility can both improve moral character and achieve political justice.
This book argues that the philosophical significance of Kant's aesthetics lies not in its explicit account of beauty but in its implicit account of intentionality.
The Reformation was one of the defining cultural turning points in Western history, even if there is a longstanding stereotype that Protestants did away with art and material culture.
Metaethics occupies a central place in analytical philosophy, and the last forty years has seen an upsurge of interest in questions about the nature and practice of morality.
Locating poetry in a philosophy of the everyday, Brett Bourbon continues a tradition of attention to logic in everyday utterances through Wittgenstein, Austin, Quine, and Cavell, arguing that poems are events of form, not just collections of words, which shape everyone's lives.