Analyzing media coverage in cases where cultural heritage sites have been destroyed during conflict, occupation, and war, this book highlights the important role media play in the preservation of cultural heritage when states or other combatants engage in human rights violations.
This title is part of UC Presss Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
Thomas Murray's graceful and humane book illuminates one of the most morally complex areas of everyday life: the relationship between parents and children.
Tristram Shandy's World: Sterne's Philosophical Rhetoric by John Traugott offers a major reappraisal of Laurence Sterne's most provocative work, arguing that Tristram Shandy is less a ';novel' than a sustained rhetorical performance.
An Introduction to Contemporary Aesthetics: Art, Community, and Experience gives students and other readers a comprehensive sense of the dynamic issues and problems in aesthetics and philosophy of art today.
Paramahansa Yoganandas zweibändiges Werk Gott spricht mit Arjuna – von der Kritik begeistert gefeiert – enthält seine Übersetzung und Auslegung der Bhagavad-Gita.
Tristram Shandy's World: Sterne's Philosophical Rhetoric by John Traugott offers a major reappraisal of Laurence Sterne's most provocative work, arguing that Tristram Shandy is less a ';novel' than a sustained rhetorical performance.
This title is part of UC Presss Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
In this new second edition of The Power of Feminist Theory: Domination, Resistance, Solidarity, Amy Allen diagnoses the inadequacies of previous feminist conceptions of power, and draws on the work of a diverse group of theorists of power, including Michel Foucault, Judith Butler, bell hooks, and Hannah Arendt, in order to construct a new feminist conception of power.
