This study explores the relationship between the sacred and the virtual, emphasizing the sacred as a divinely dependent, consecrated space activated through ritual, mediating between the profane and the holy.
Since Dalit theatre has not garnered as much recognition as the other genres of Dalit literature have, this book, being one of the pioneering works in the field, aims to highlight the genre within the framework of Dalit literature and the Dalit Movement in India.
