This volume engages with the question of how labour is transforming under late capitalism, and what insights the study of sex work offers into these transformations.
Communicating in the Face of Global Crises explores the complex ways organizations and their strategic practices are communicatively constituted in relation to the ethical expectations of global publics.
The Routledge Handbook of South Asian Cinemas is the first collection of original contributions to comprehensively analyze one of the most diverse and prolific cinema-producing regions of the world.
This book highlights some of the crucial crossroads - moments in which choices as to the future relationship between humans and digital technologies have to be made - that societies face in light of the growing development and adoption of AI.
This volume engages with the question of how labour is transforming under late capitalism, and what insights the study of sex work offers into these transformations.
In this book, Lim and Toh explore digital play and children's instinctive way of exploring the world to bring together research on digital play and learning, and unite game-based learning with multimodality and social semiotics.
Global South Creator Cultures situates creator labour within the geographic specificities of nation-states and examines the working conditions of social media creators and the geographical challenges of their work, offering a four-part conceptual framework for studying creator cultures.
The Routledge Handbook of South Asian Cinemas is the first collection of original contributions to comprehensively analyze one of the most diverse and prolific cinema-producing regions of the world.
In this book, Lim and Toh explore digital play and children's instinctive way of exploring the world to bring together research on digital play and learning, and unite game-based learning with multimodality and social semiotics.
This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.
Examining French sports films from a cinematic and socio-cultural perspective, this book takes a close look at the characteristics that separate French sports films from Hollywood sports films and sports films produced in other countries and asks what those characteristics can tell us about wider French culture and society.
This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.
Global South Creator Cultures situates creator labour within the geographic specificities of nation-states and examines the working conditions of social media creators and the geographical challenges of their work, offering a four-part conceptual framework for studying creator cultures.
Decades ahead of the amusing but distorting buffoonery of Blackadder Goes Forth, this complete edition of the Wipers Times, the famed trench newspaper of the First World War, is an extraordinary mix of black humour, fake entertainment programmes and pastiche articles, and constitutes a unique record of life on the wartime frontline.
This book provides a thorough exploration of how heritage representation has evolved in the digital age, highlighting connections between diverse informed solutions for preserving and interpreting heritage knowledge.
