Since the appearance of her early-career bestseller Gender Trouble in 1990, American philosopher Judith Butler is one of the most influential thinkers in academia.
The popular and critical successes of films like The Sixth Sense and The Ring and its sequels in the late 1990s led to an impressive international explosion of scary films dealing with ghosts.
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento.
Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, mainland China, and beyond.
Transnational Play approaches gameplay as a set of practices and a global industry that includes diverse participation from players and developers located within the global South, in nations outside of the First World.
Poussin's Women: Sex and Gender in the Artist's Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women.
Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately.
The Heritage Turn in China: The Reinvention, Dissemination and Consumption of Heritage focuses on heritage discourse and practice in China today as it has evolved from the 'heritage turn' that can be dated to the 1990s.
Zomia is a term coined in 2002 to describe the broad swath of mountainous land in Southeast Asia that has always been beyond the reach of lowland governments despite their technical claims to control.
Part personal memoir, part professional flashback, part socio-cultural commentary, The Call of Japan chronicles the author's experiences during his 40 years of living in Japan, from 1950 to 1974 as a 'reluctant banker', and from 2003 to the present as a writer.
Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs examines film authorship in the transmedia era whereby film directors have become public figures through a wide range of textual, material, and performative practices.
The Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting.
In recent decades, what could be considered a gamification of the world has occurred, as the ties between games and activism, games and war, and games and the city grow ever stronger.
We are running out of water, robots will take our jobs, we are eating ourselves to an early death, old age pension and health systems are bankrupting governments, and an immigration crisis is unravelling the European integration project.
The largest cities in Pacific Asia are the engines of their countries' economic growth, seats of national and regional political power, and repositories of the nation's culture and heritage.
American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated.
Politics and Literature in Mongolia (1921-1948) investigates the relationship between literature and politics during Mongolia's early revolutionary period.
Making Media' uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music.
While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world.
Part personal memoir, part professional flashback, part socio-cultural commentary, The Call of Japan chronicles the author's experiences during his 40 years of living in Japan, from 1950 to 1974 as a 'reluctant banker', and from 2003 to the present as a writer.
Poussin's Women: Sex and Gender in the Artist's Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women.
This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms.
As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space.
