These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
This book introduces a constructivist approach to the study of terrorism and shows how language in the media affects our perceptions of 'terrorists' and how particular constructions of 'terrorist' automatically make certain counter-terrorism policies possible, logical and seemingly appropriate.
Following the spirit of Benjamin's Arcades Project, this book acts as a kaleidoscope of change in the 21st century, tracing its different reflections in the international contemporary while seeking to understand individual/collective reactions to change through a series of creative methodologies.
This volume brings together scholars from across Europe to critically examine TV history programming in a period of political, economic and cultural change.
Each chapter of this book presents a different marginalized community and explores how it appropriates theatre for its own needs, which are often at odds with those of the powerful sponsoring organisations.
This book considers the transformative impact of global trade and production networks on local economies, work and labour organization, and various forms and meanings of 'community'.
An exploration of how the theme of Anti-Americanism was employed by influential sections of the West German media to oppose the modernisation of the Federal Republic of Germany during the 'long 1950s'.
Radio was one of the major weapons used in the Cold War and The Undivided Sky gives a lively and comprehensive account of radio programming and audience responses in the divided Germany of the 1960s by looking at the reportage of major war-crimes trials of the time, issues of the Holocaust and German national identity.
Belinda Smaill proposes an original approach to documentary studies, examining how emotions such as pleasure, hope, pain, empathy, nostalgia or disgust are integral both to the representation of selfhood in documentary, and to the way documentaries circulate in the public sphere.
Analyzing the development of small and medium enterprises (SMEs) in Asian developing countries, the book is based on a survey of key literature and data on SMEs with the focus on; recent development, export performance, main constraints, competitiveness, innovation and technology transfer, and female entrepreneurs.
This major new contribution to the study of consumption examines how dominant groups express and display their sense of superiority through material and aesthetic attributes, demonstrating that differences from one society to another, and across historical periods, challenge current understandings of elite distinction.
Positioned within the field of linguistics and multisemiotic discourse analysis, the theme of this book is the multifaceted interaction between text and image in different discourse genres, and it offers critical views on how we talk and show our experience of the world around us.
An account of language and drama between 1945 and 2005, synthesizing linguistic and dramatic knowledge in order to illuminate the ways in which anxieties and attitudes toward language manifest themselves in discourses on and around English theatre of the time, and how these anxieties and attitudes reflect back through the theatre of this period.
The first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 to the present day.
International scholars and researchers present cutting edge contributions on the significance of vocabulary in current thinking on first and second language acquisition in the school and at home.
Using a wide range of unexplored archival material, this book examines the 'spectral' influence of Victorian spiritualism and Psychical Research on women's writing, analyzing the ways in which modern writers have both subverted and mimicked nineteenth century sources in their evocation of the seance.
In this collection of essays, a range of scholars from different disciplines look through the prism of technology at the much-debated notion of cultural memory, analysing how the past is shaped or unsettled by cultural texts including visual art, literature, cinema, photographs and souvenirs.
This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.
This book is an assessment of narrative technique in contemporary British fiction, focusing on the experimental use of the demotic voice (regional or national dialects).
Taking as a case study the racial politics of the British state under New Labour, this book advances an idea of multiculturalism as the only conceptual framework that is capable of making sense of the contradictions of contemporary race practice, where racism is simultaneously rejected and reproduced.
In the 75th anniversary of CARA (Council for Assisting Refugee Academics), this book explores the experiences and achievements of refugee academics and their rescuers to recount Britain's past relationship with overseas victims of persecution, and as vital questions about our present-day attitudes towards immigration and asylum.
Talking Young Femininities explores the spontaneous talk of adolescent British girls from different socio-cultural backgrounds, examining the different discursive identities they negotiate in their talk, including the 'cool' private-school-girl, the 'tough' British Bangladeshi girl, and the 'sheltered' East End girl.
The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day.
This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.
In this bold intervention into the understanding of the diasporic experience within cultural studies, McCarthy challenges a critical position emergent over the last thirty years (what he calls the 'new marginalism').
Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the 'Atlantic scene' of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.
This unique book examines the relationship between wounding and sexuality, bringing together issues around sexuality, gender, power, violence and representations.
This book explores the role of emotion and affect in recent Latin American cinema (1990s-2000s) in the context of larger public debates about past traumas and current anxieties.
Spirits without Borders is an ethnographic study of the transnational and multicultural expansion of Vietnam's Mother Goddess Religion and its spirit possession ritual.
Drawing on interviews with producers, directors, and scholars, and examining the DVD's supplementary features, this book explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.
