An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist.
Renowned today as a prominent African-American in Music Theater and the Arts community, composer, conductor, and violinist Will Marion Cook was a key figure in the development of American music from the 1890s to the 1920s.
Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers.
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J.
On the 250th anniversary of the composer's death, this volume offers an in-depth look at the "e;Great Eighteen"e; organ chorales, among the most celebrated works for organ, and a milestone in the history of the chorale.
In the 1950s, New York City's Birdland was the center of the world of modern jazz--and a revelation to Bill Crow, a wet-behind-the-ears twenty-two-year-old from Washington State.
Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater.
This guide introduces concertgoers, serious listeners, and music students to Gustav Mahler's Second Symphony, one of the composer's most popular and most powerful works.
In the 1950s, Meredith Willson's The Music Man became the third longest running musical after My Fair Lady and The Sound of Music: a considerable achievement in a decade that saw the premieres of other popular works by Rodgers and Hammerstein and Lerner and Loewe, not to mention Frank Loesser's Guys and Dolls and Bernstein and Sondheim's West Side Story.
In the 1950s, Meredith Willson's The Music Man became the third longest running musical after My Fair Lady and The Sound of Music: a considerable achievement in a decade that saw the premieres of other popular works by Rodgers and Hammerstein and Lerner and Loewe, not to mention Frank Loesser's Guys and Dolls and Bernstein and Sondheim's West Side Story.
Those who choose to make the orchestra enterprise their life's work face a host of challenges that have beset orchestra managers since the very beginning of the art form, alongside new challenges that continue to arise in the twenty-first century.
Those who choose to make the orchestra enterprise their life's work face a host of challenges that have beset orchestra managers since the very beginning of the art form, alongside new challenges that continue to arise in the twenty-first century.
The British composer, conductor, and pianist Thomas Ades has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched.
Since 1973, Queen have captivated listeners through the intense sonic palette of voices and guitars, the sprawling and epic journeys of songs, and charismatic splendour of their live performances.
Since 1973, Queen have captivated listeners through the intense sonic palette of voices and guitars, the sprawling and epic journeys of songs, and charismatic splendour of their live performances.
Amy Marcy Cheney Beach (1867-1944), the most widely performed composer of her generation, was the first American woman to succeed as a creator of large-scale art music.
Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers.
Alec Wilder wrote songs and lyrics of unsurpassed beauty and originality, and his work won the respect and admiration of such important musical figures as Frank Sinatra, Peggy Lee, Mitch Miller, Gunther Schuller, and many others.
Drawing upon a remarkable mix of intensive research and the personal experience of a career devoted to the music about which Dvorak so presciently spoke, Maurice Peress's lively and convincing narrative treats readers to a rare and delightful glimpse behind the scenes of the burgeoning American school of music and beyond.
